The Jaws is tremulous; the Piranhas ferocious, and what about the Orca? The analogy of the famed aquatic creatures may seem to be a visible cue on the a priori synopsis of a tale of horrors in the watery main. Still, it is this foregone array of the said creatures that spotlights “Orca,” a 1977 American film directed by Michael Anderson, under thematic limelight with a story told like a rime of an ancient mariner. With the image of its amiably rotund colossal body provoking neotenic affection in a sense, the Orca betrays the primal instinct that belongs to its species as well as ours and pushes us on the suspenseful iceberg to the Antarctic Ocean of Pathos.
“Orca” is a story of love and loss, two indispensable acts in a drama of romance adumbrated by a shadow of vengeance. The story develops around the two main characters: captain Nolan (played by Richard Harris) and an orca. However different they may seem, Nolan and the orca share grief for the loss of their beloved families. While Nolan accepts the painful loss in love, the Orca cultivates it in the extreme measure of dander, forcing their sorrows in the deep blue ocean where the detritus of instinctual sensations and impending consequences is buried with the serenity of fulfilled ire. Neither of them is guilty nor guiltless by the terrible measurement of fate. In this suspenseful tug-of-war between Nolan and the orca, one must succumb to the dreadful denouement of the outcome, but who will be the one entitled to the victory over the terrible deed held in watery abeyance?
Contrary to the acerbic reception of the film as a copycat of “Jaws,” “Orca” is a unique drama. It is visually stunning and emotionally touching with a beautifully melancholy thematic music composed by the great Ennio Morricone, who aptly translates the innermost feelings of the characters in polyphonic strands of human voice and strings that elegantly interweaves the story.
“Orca” is a poetic film that gratifies our visual and auditory senses and perfects them to thoughts as though by reading a poem evocative of riveting images of nature that both entertains the heart and satisfies reason. It is a story of a man and a beast whose histories find each of their lives sorrow and loneliness enough to disarm all hostility and plunge all wrath into the bottom of the ocean for good with their names written in water.