Floral Words

Dog Rose; Pleasure

The pink petals,
The green leaves,
in amatory embrace
in ephemeral ecstasy.




Sweet Pea; Goodbye; Thank you for a lovely time

Farewell wishes bloomed on the petals
in sweet gratitude
for the memory of beautiful nostalgia
in colorful pleasantness.





Orchid; Beautiful lady; refinement

The constellation of brilliant faces
of splendid beauty
vying for the enchantment of love
by the hands of the adorers.


Savory Word Searches by Dave Tuller

Savory Word SearchesSavory Word Searches by Dave Tuller

My rating: 5 of 5 stars

When I first saw the cover of this book, I assumed that this book was full of words related to biscuits and crackers as shown thereon. No wonder the cover led me to prejudge the contents of the book, since this is a series of the puzzle books with food-associated adjectives and the matching pictures. (i.e., “Delicious”, “Gourmet”, “Scrumptious”, “Tasty”, and “Yummy”.) On the back cover the book, the author clearly expresses his reason for such tasty titles of the books as follows:

“If you’re hungry for some great puzzles, Savory Word Searches is sure to satisfy your appetite. “

What a brilliant idea of titling the puzzle books! I have so far liked this book much because (1) it is spiral bounded; (2) the covers are quite sturdy; and (3) the unused letters in each word search form a message in relation to the theme. I might buy another book from this series once I complete this puzzle book.

Bartleby, the Scrivener A Story Of Wall-Street by Herman Melville

Bartleby, the Scrivener A Story Of Wall-StreetBartleby, the Scrivener A Story Of Wall-Street by Herman Melville

My rating: 5 of 5 stars

It was more than 10 years ago when I first read Herman Melville’s Bartleby, a short story about an unwonted young man employed as a scrivener by a Wall Street lawyer. At that time, Bartleby struck me as a plain eccentric, imprudent worker who had the temerity to reject his boss’s orders. He was just a mentally deranged man with only a few words, other than the monumental diction of “I would prefer not to do …“

But now I think of him differently. Maybe it’s because I have more experiences in a journey/sailing of life than I had when I first encountered the Bartleby character. Whatever it may be, my perspective of the character has been changed in a humane way. Since I re-read the story this afternoon, I have felt bottomless sympathy for Bartleby. Mixed with pathos and sprinkles of humor in the narrative of his benevolent former employer, the figure of Bartleby evokes springs of human compassion and humanity itself. And my feelings for this tragic scrivener amount to what the narrator felt about his former employee.

I am not hereby intent on “analyzing” the psychological aspects of Bartleby and his former Wall Street lawyer boss. And I don’t think that even the writer Melville himself ascribed such psychoanalytical theory to these characters in mind when he wrote the story. To me the story itself tells what drove a sensitive man like Bartleby to such demise in the eyes of a compassionate man – and a decent employer seldom found these days. Loneliness, Hopelessness, Sorrow, and Reality of Death all packaged in letters to be burned in flames deprived the humanness of the forlorn scrivener. The Death of Humanity, that is. Having worked in the Office of Dead Letters at Washington must have been a traumatic experience to someone like Bartleby with eggshell sensitivity. Surely, there is no doubt that Bartleby was mentally disturbed, but who would hate or even despise him for his malaise?…

Readers will conclude that it’s only a fictional story in which no such characters will/would exist in reality. But I don’t think so. As a matter of fact, I have always believed that fictions are always built upon factual elements of human life to a certain degree. Dismissing stories as creations of imaginativeness seems to miss the fundamental truths laid behind the subject matters of stories. That the multitudes of change and choice of our human life with a bit of creative imaginations is a substance of any story. Ditto Stephen King, who has once said that the stories are artifacts that are not really made up, but that are based upon preexisting objects we discover. Ditto Shakespeare who once said we are all actors and actress on a stage called a “Life.”

The tall, lean, pallid and lugubrious image of Bartleby the Scrivener still lingers in my mind… All those returned/erturning letters flooded into the office every single day might have come from those who died in despair, those who died hopeless, and those who died suffocated by insurmountable sufferings; Bartleby had lost his own sense of existence, feeling utterly dispirited, pessimistic, and lethargic in performing demands of his duty. It was the loss of meaning of life that made him passively resistant to all the ordinary functions of daily life which all seemed insignificant to him. The life itself was nihilistic and hence non-existential to Bartleby. Humanity in the expressions of feelings and emotions meant nothing to him; it had ceased to exist in the form of dead letter attesting to existential horrors, which had led the authors to death, which had taken the poor Bartleby as the witness thereof.

Thus the lamentable outcry of the narrator still deeply reverberates in my mind even after I closed the book: “Ah, Bartleby! Ah, Humanity!”