
Maybe I should not have watched it, but alas, I did, and with the afterimages of the faces and scenes still haunting the brain chambers, refusing to leave, I am writing about the Netflix documentary to cast them out to the wilderness of forgetfulness – but with a voice of the heart.
The documentary revolves around the death of Teresa Halbach in Manitowoc, Wisconsin, who the county and the state justice believe was murdered by Steven Avery and Brandan Dassey. Since the stories about the accused are readily available online, I will not delve into whether they are innocent or guilty in this post. But I cannot help thinking this: Prejudice by social class prevails over the carriage of justice and the great cultural divide between rural and urban, working and middle classes, and state and federal governments in the States. America is arguably a country of no aristocrats, yet class distinctions are apparent, and stratification is broad.
In the case of Steven Avery and Brandan Dassey, although they were not poor, their parents were deemed fit to caricature characters of laborers equivalent to medieval serfs or pre-industrial European peasants speaking with the class jargon in heavy dialectical accents. Would the police and courts act differently toward the accused and their families were it not for their family backgrounds and social statuses? Hollywood celebrities and those with money and power can do anything and yet get away with their wrongdoings because they have the status and best lawyers who can make innocence of murderers, and vice versa.
That is why I’m not too fond of police profiling, which always seems to accuse those from unhappy childhoods tainted with physical and verbal abuse, especially and mostly from parents. It’s not only about sexual violence but, most of all, about parental verbal and physical abuses that bludgeon their children’s psychs. You can’t just typecast someone because they fit your profiling for a particular crime type. Where is the goddess of justice? Remember, even the goddess of fortune plays the Wheel of Fortune blindfolded to give everyone a fair chance of a lot because she can’t see who is rich, bright, or beautiful to look at.

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