Claude Monet, Cliff Walk at Pourville, 1882. Oil on canvas. Art Institute of Chicago.
Stefania Joori Suh, published as Stephanie Joori Suh, is a Los Angeles–based poetess and writer who writes from the tension between structure and longing.
She is the author of The Glass and the Flame, her debut poetry chapbook, published by dancing girl press in 2026. Visit the publisher’s book page to purchase The Glass and the Flame.
Her work moves through eros, beauty, faith, fracture, and the architecture of becoming. She is drawn to thresholds—between intellect and instinct, restraint and hunger, silence and revelation.
She does not write to decorate feeling. She writes to construct it.
Language, for her, is not confession but design: a scaffolding for interior truth, a chamber where the visible and invisible meet.
Her poetry has appeared in Anomaly Poetry, Belladonna’s Garden, The Raven Review, Cathexis Northwest Press, ArLiJo, Poems Tales & Other English Words, Poet in Verse Journal, morphrog 33 from Frogmore Press, and EgoPHobia. Her publication record includes fifteen poems across nine journals and anthologies in the United States, the United Kingdom, and Romania.
The Moon Room gathers her nocturnal pieces—poems and fragments composed under late light. The blog remains an archive of earlier writings and reflections, a record of thought in motion.
She writes to be read.
Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh 
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