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  • Prompt 31

    What principles define how you live?

    Ask any acclaimed mountaineers, such as Edmund Hillary and Reinhold Messner, why and how they climbed up the highest mountain in the world, Mount Everest. Their answers were simple: there was a mountain to climb, and they had to move forward. Likewise, here are my life’s three guides: imagination, creativity, and hope that accompany me in this life’s journey.

    I am a figure of paradoxes, contrasting light with dark, ideal and worldly, bright and melancholy. I see myself trapped in the Labyrinth of Crete, where the Minotaur lurks in the corner of the maze, waiting to ambush, yearning to eat me. (It is more poetic than being lost in a level of the dreadful Backrooms, as it were.) Normal is not default, and insecurity constantly stalks me like a haunting revenant, resisting departing this world that it longs to remain for an unfinished business. And yet, there is always this impalpable, mysterious sense of what-if flickering in its iridescent halo from a distance. So, I follow the light, walk forward, and never look back because moving forward keeps me alive. Didn’t Stephen Hawking also collaborate with it by saying that it is possible for humans to travel to the future but impossible to return to the past?

    Creativity is essential because it gives a sense of existence, of what it means to be a human. Viktor E. Frankl said three values shape a meaningful life, which are creative value, experiential value, and attitudinal value. I enjoy appreciating the artistic works of others and learning to accept who I am. But I am also delighted in creating my own creations, however good or bad they may be. Writing is such a means of expression by which I can express myself. It is fearful of disappearing like a speck of the world, and I am not nothing.

    I can imagine myself one day arriving as an acclaimed memoirist, diarist, or essayist. Novels are not my forte because I can’t write things I pretend to be or know. That is why I prefer reading nonfiction, and I like to think that I can write it well.

    Thus are my principles – or, more fittingly, my guides – in life. I am a Dante who imagines, a Virgil who creates, and a Beatrice who hopes through life’s journey.

  • To Beloved

    Dear Toro and Camille,

    The words I am writing in this letter to you are the voice from my words, and I am addressing your soul’s heart to heart. I know you may not understand the complexities of human language, but my heart and soul are the basics of the words, and I know you will understand what I am trying to say anyway…

    Camille

    I am so sorry that I can’t provide you with the ideal environment for both of you, my sweet darlings, in my present situation. You know that I can’t let you out of our little bedroom whenever you want to go to the living room where the mother stays. She doesn’t like you to be around because she is jealous of my love for you. But she refuses to know that she loves me, not because she never does and has always been unkind to her only daughter. She is not evil but an ill person inside and outside due to her unspoken history of mental illness. I know it, but it’s a taboo that her family wouldn’t disclose. I know this because I am very keen on psychology based on human behaviors. I think you have already sensed it with your supernatural feline senses. What a fate!

    Toro

    When I utter a cry of fate, my soul cries at my fate of being unable to give you the necessary environment to thrive as happy cats. Of course, I always bring you to the doctor when you show symptoms of bodily discomfort, however slight they may be. But when I see my brother’s and cousin’s cats happily and freely roaming around their lovely homes, my heart breaks, and my soul cries inwardly and outwardly. How much I love you guys so much! Toro, you have been with me in every moment of my darkness and occasional lightness. You are always with me when life is unkind to me with the cold shoulders and icy glances. How comforting to stroke your cushy furs through my fingers lying next to me! You are my faithful companion. And Camille, since you came to me, your sweet purrs and meows have consoled my wretched soul. You are such a sweet soul. To people who believe animals have no souls, I defy to see their eyes straightly and speak to them softly that you love them! They know they are loved, and I know my darlings realize it! They know I am sad and happy. They are my only friends in this cold world.

    So, I am asking you to hold on to hope that someday we will live in a lovely home where you can freely and happily roam around, run around all the rooms and floors, cajoling and frolicking to your content and being yourselves. Therefore, I wonder if you want me to accept Brother Joe’s proposal to move to Korea and live in his luxurious apartment with a spacious loft for you and me to live comfortably. What do you think? You think it’s okay?

    Doubt that the stars fall from the sky. Doubt that the sea is blue.
    Doubt night becomes day. But never doubt I love you.

    All my love,
    Stephanie

  • Prompt 30

    What details of your life could you pay more attention to?

    Dear Reader,

    After a long and tiring day at work, I look back today and regret not doing things the way I wanted – yet again. Since I spend more time in an office full of strangers with nothing in common with me other than working for the same employer, reflecting on today’s memories and actions brings me a feeling of sorrow and sympathy. It’s always this matter of diplomacy of interacting with others without offending them, which is what I should pay more attention to.

    The art of social interaction is hard enough for me to achieve without having a poker face or a public mask – persona. I have seen people who ingratiate themselves with those whom they regard as socially beneficial and politically influential. I see them, all of whom are women, but I don’t see beauty in their visages, nor their minds and hearts. Those able-bodied, fair-weathered friends or sycophants are unashamed of their deeds, acting as if they were all above others, thinking themselves better than others.

    Not that I begrudge them such a skill of flattering, but I realize that having the diplomatic forte may help me to live a more comfortable life for me and my two beautiful cats. Indeed, smile is the best global language where no spoken words are required. I can smile and smile beautifully, but my beautiful smile is unrelated to currying favor from the powers that be, so to speak. Still, it would work wonders if I could pay more attention to my facial expression and the whole demeanor of my body in a polished way so people would not be rude to me.

    My wish is someone’s daily life or just a fancy, but it is still my wish to induce a good impression on me, no matter where you are from.

    Good night. Carpe Diem!

  • Old People (2022) – Film Essay

    Old People shows the issue of the generation gaps between the young and the old, not in the adolescent revolt against the adult institution, but in the societal and cultural context regarding the weakening familial bond between wife and husband, child and parent, and grandchildren and grandparent.

    Melika is a successful lawyer from a city heading with her children to her sister’s wedding at their childhood home in a village. Upon arrival, Melika finds her once beloved father, who loved her and her children so much, is sent to a nearby nursing home whose environment is no better than a mad asylum in atmosphere and appearance. Seeing her father spiritless and aimless alone in a dark room gives her a pang of leaving him behind for her ambitious future as a city lawyer, but she tries to suppress it by bringing him home just for the wedding day. But that is her self-induced wish to relieve herself of guilt, for her father is so broken with a shattered heart that his daughters deserted him, driven away from their home, their happy life that he still longs for. Such sadness is collected among all the old people in the nursing home, abandoned in dreadful isolation from the community that has put them into such an institutional grave and buried alive. The rest is a prelude to a symphony of carnage burning in the fury of the undead and neglected.

    Although this movie is presented as a horror movie, it really isn’t in terms of its thematic and contextual subject. It is a horror that we as a society have become Logan’s World, where ageism and lookism prevail over humanity and discriminate against those who do not fit in their touchstone of the ideal. And what is old, and how old is old? Are we not all advancing in age? Youth is wasted on the young, as Oscar Wilde cleverly concluded. Being old should not be a curse but a celebration of experience in life and, therefore, must be embraced with respect and dignity. Just because we become old doesn’t mean our feelings are dead, as the grandfather tells his beloved grandson: “Oh, yes! I love you so terribly much!”

  • All is Lost (2013) – Film essay

    Some movies should be noted, some memorized, but only a few should be applauded and taken by heart amid the luxurious streams of movies flowing from the screens. These movies chime the bell of your mind, enshrined in your dome of thought, and stay in your heart forever like beautiful memories that have become part of you, an inspirational lamp to give your life cheer and humor in times of need. In that light, All is Lost (2013), directed by J.C. Chandor, is such a movie that sheds light on your life when things are not going well for you, or you are lost in the middle of your voyage of life.

    The movie opens when a man (played by Robert Redford) wakes up, finding water in his quarter from a hall made by a collision with a stray container in the middle of the ocean. We don’t know the man’s name or where he comes from, except that he is somewhere in the Indian Ocean. We know that the man has the ambiance of a seasoned mariner whose demeanor is stoically calm and composed, rendering such an emergency look small and manageable. But it is the prelude to Nature’s test of Man’s Spirit, the beginning of his trial of hope when the damage to the yacht deteriorated due to storms to such a degree that he must abandon the yacht and sail on a lifeboat with a modicum of food and a navigational compass. But his will to survive and hope for rescue seems to be bludgeoned by the play of luck. He lights up rods to signal his location for rescue, but ships leave him alone on a vast ocean.

    Moreover, sharks steal his fish and cherish his flesh, swarming under his half-deflated lifeboat. These images immediately conjure up those of Santiago, a seasoned fisherman, and the formidable great shark from The Old Man and the Sea by Ernest Hemingway. Or the bright-eyed mariner from The Rime of the Ancient Mariner by Samuel Taylor Coleridge. Their silence speaks volumes of the voice of their strong spirits that can be destroyed but never conquered. Their aspirations, ambitions, and arduousness may be bent, but their souls are always ready to be rekindled by a passion for triumph over the darkness and fear, aided by a ray of hope.

    All is lost is an illustrious image of life in which we are alone in each yacht, sailing on the uncharted seas until the tailwinds carry us to the East of the Sun, West of the Moon. Illustrious it may sound, but the movie is never flamboyant, and Robert Redford plays the role of the mariner as if he were playing himself in dignified silence, wonderfully emoted by his face and action alone without overtly elaborating gestures or soliloquy. It is a realist’s story and as real as our daily sailing in life’s voyage. He has lost all his possessions but not himself or his life. And even if hope seems to dissipate into the fathomless abyss, there’s still a chance of hope, and we’ve got to give ourselves a chance to hope because while we breathe, we hope. Dum spiro, spera.

  • Talking about It Generation

    Dear Reader,

    The Roman orator and senator Cicero warned anyone defying one’s age is asking for trouble from the law of nature. I have no intention to falsify my date of birth in legal documents or to make a pact with the devil to keep me from being an old hag. Instead, I want to address the vagaries of getting old and the travesty of maturity that has become all the more conspicuous as time passes. It is a life to tell, and I am addressing the voice from the heart with a spirit of undying youth at the center of the heart to you, my readers, young and old, across the oceans and lands. Thus begins my soliloquy.

    They say we are all young at heart with willing spirits, but the weak flesh. While truth is truth to the end of reckoning, the reality of life forces you to realize that you are getting old and older as you find yourselves surrounded by people who are decades younger, the race of the new generation -especially the MZ Generation. Gone are the Second World War generation with the departures of Queen Elizabeth and her better half, Prince Phillip, Tina Turner, Jane Birkin, etc. The Korean War Generation has become a thing of the past, along with the former, replaced by the Vietnam War Generation. Here’s the Reality Bites Moment. The MZ Generation born in the 2000s has taken over the workforce, equipped with digital savviness and adorned with Social Media. 

    For instance, where I work is filled with the MZs, and they take such a shining pride in being of such a high-tech era, dwarfing all those born before them. I wallow in their endless chatting and overtly hyped self-promotion. To them, anyone over the evolutionary scale of 30 years old is, needless to say, “Old” and therefore not worth being associated with. To them, we – yes, I am one of them – are invisible and ignorable unless you pretend to be someone you are not so that you can be jovial with them. What a tragedy!

    Looking back, the years of work since I graduated from college at the beginning of this century – Geronimo! – I see the working environment then and now and realize the world has changed a great deal in terms of the way people think and behave. Until 2015, people still had the cultural traits of the analog times when writing journals with pens was more prevalent than typing into iPads, laptops, or iPhones. I could find people I could talk to effortlessly, and they would also speak to me about a common topic back then. But now, it is a different world because it is filled with the neotypes of humanoids. It’s like being marooned on a planet surrounded by cone-headed aliens or besieged by hideous Its in Backrooms. 

    Have you ever seen the movie Logan’s World? It’s the world of Youth and Beauty where anyone over 30 is being put into a spectacle death under the pretext of being “renewed.” Renewed because the presence of the Old becomes purged by

    the company of the New Army of Beautiful Youth. I look at the world around me and see the images from Logan’s World, which dissolve into one another and shape the Leviathan of the MZ Generation. I know now how Hamlet felt when he uttered thus with the skull of the dead jester: “Alas Poor Yorick! I knew him, Horatio!” Ditto to that, Hamlet.