Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh

Tag: a-ha

  • prompt 200 on last live show

    What was the last live performance you saw?

    It was an A-ha concert on April 8th, 2022, at the Wiltern in Los Angeles, California, which was in my town. It was my second time seeing them in concert since I attended their New York City concert in 2012.

    I went there alone, but many came alone to see their first puppy loves or idols in real life. As the band became old, so did their fans, which proved that time was non-discriminating, visiting the doors of huts, villas, and palaces. Here they were, my old hot flames, once so young and dashing, now ripened with the years of experience, seasoned with the echelon of exercises. A-ha indeed grew mature, but they were more relaxed and confident, which endowed them with a different sensuality that the green salad days of youth can never have.

    The most interesting thing I noticed at the concert was that fans brought their young and grown children with their spouses to see their old loves. Although their children didn’t quite seem to enjoy the same level of pleasure that their parents were having, it was an excellent concert where people had a good time returning to the days of their begone youth by the witchcraft of music taking all of us to that time.

  • Living boys’ adventure tales: a-ha at the Wiltern, Los Angeles, CA, on April 8th, 2022

    a-ha from left Magne Furuholmen (Keyboards), Morten Harket (Vocals), and Pal Waaktaar-Savoy (Guitars)

    After the two years beneath the gray clouds of the pandemic, a-ha came to town with the halos of seasoned veteran wizards of pop music. They entered the world’s music scene like brilliant comets four decades ago with the catchy hit ‘Take on Me’ and continued to travel into the universe all the more brilliantly over time. Indeed, age could not wither them away, nor custom could stale their musical alchemy.

    With the opening song ‘Sycamore Leaves’ with its characteristic guitar riffs and heavy drum beats, a-ha came on the stage. The fans were instantly enchanted by their charismatic appearances, like the Three Musketeers of Pop. Magne Furuholmen (Keyboards), Morten Harket (Vocals), and Paul Waaktaar-Savoy (Guitars) were now veterans of the music industry. They were all methodically professional and effortlessly entertaining to present what the fans wanted the most by coming to their concert after two bleak lockdown years. They gave all they got by mainly playing the songs from the first and second albums because those two albums were best known and loved by their US-based fans. The result was the touchy-feely, feel-good atmosphere of the concert. Viktor E. Frankl, the father of Logotherapy, acknowledged that the moments of pleasure in appreciating arts equal the happiness in finding the meaning of life. That night at the Wiltern, a-ha gave the happy moments of life to their fans as their music pleased our senses and sensibilities, allying our passion for what our existential life outside the concert hall had brought to us just for the moments.

    Music is the most potent magic in conjuring up the memories in the phantasmagorical display of images of the misty past, vivid and vital, all adrift then aglow in condensed particular energy, becoming nostalgia in the sweet melancholy of romantic solitude manifested in the music of a-ha. Looking at the audience, I thought that we all came to go back to our days of innocence when the pleasure of listening to a-ha’s music on the radio and records required no dreadful existential worries of the world. That night at the Wiltern, a-ha transported us back to our memory lane in the soft sweet melodies of the past and then to the present, lingering in the heart’s windows and staying in its garden forever with the triumphant ‘Take on Me’ ending on a high note in the encore.