Whether animated or dubbed, good movies are conversant with more delicate tissues of conscience and spirit than others replete with vehement manifestos. I am talking about ‘The Lion King’ (2019 film),’ that is. It is a wholesome movie with simple adages of friendship, love, patience, and courage—only the more vividly alive and visually superb with the Cute factor. The film is also what Plato says in the Republic, a work of art that best imitates the objects and events of human life, a good entertainment.
The a priori reasoning is sometimes apt, and so was the movie. I admit that had it not been for the cute Simba’s face in the movie’s advertisement on my newly subscribed Disney Plus channel, I would have passed it. Besides, living with nature in the form of thirteen-month-old tabby cat Toro at home perfected the inclination to watch it. What captured my eyes most was the realistic animals and landscape that rendered undoubtful verisimilitude of natural wildlife in Africa. It’s a hybrid of the 21st science and timeless imagination that created the world’s awe-inspiring symmetrical view of natural beauty in cinematography. Contrary to unwelcome and acerbic opinions about the movie for its lack of fluid emotions and spectacular action scenes, I find it genuine and honest. It illustrates the natural habitats and habits of the animals in the wild as authentically as possible, which may seem less than what today’s audience inured to gratuitous special effects and outpourings of dramatic gestures. However, nature is simple, and Leonardo da Vinci saw it as the ultimate sophistication of beauty.
If Aesop’s Fables are the ancient Greek’s way of teaching morals or virtues to people of all ages, this film follows the tradition of teaching the good in the audience’s hearts. There are four types of love subtly construed as thematic subjects in the movie: (1) Eros – passions between lovers; (2) Philia – friendship; (3) Storge – love between parents and children; and (4) Agape – humanity. Furthermore, the Homerian code of honors that Simba and his father Mufasa possess and the eponymous virtue of arete consists of moral integrity and physical finesse. The goodness described above incarnates in the pride of the lions and alludes to human characteristics laid bare in the majestically untamed landscape of the Pristine Wild.
‘The Lion King’ (2019 film) is thought-provoking and entertaining. Plato, whose view on the best of art as the best imitation of the physical world, would approve of this film as a wholesome entertainment in the constellation of the great minds. But, notwithstanding his approval, the film is worth watching when you feel lonely and need some pick-me-up spirit with smiling cheer. After all, a good mood in the buoyancy of a cheerful soul with hope for an uncertain future is what makes our lives pleasant. Hakuna Matata!
Last week, I reread Aesop’s Fables as an adult (that is, in terms of the ages on an evolutionary scale) in the 21st century and found them just as attractive as the first time reading it as a child. What a feeling! A freed slave once, Aesop’s natural wit combined with protean imagination made him able to investigate the essence of things, the nature of things, and attribute it to human nature’s characteristics, which ultimately brought him mortal death and immortal life. He was, in a way, a lot like Hephaestus, the god of fire, blacksmith, presider of the arts, and the only legal husband of the goddess of love and beauty Aphrodite who found him unbearably unromantically ugly.
Aesop’s Fables still scintillates in the brilliance of affabulation and humor that nicely relates to Nietzsche’s concept of immanence, the understanding of nature of all things; the Natural Law called conscience the supreme ruler of the universe has inculcated in us. The Fables are full of lessons that are akin to Jesus’s parables employed in his teaching of ethical codes for Christians in daily life. Of course, Aesop was of the Pre-Jesus era. Still, his stories bespeak something of human nature that had already existed, which is ongoing and will continue as long as humanity exists. The cardinal virtues of prudence, justice, temperance, fortitude, and Christian values of faith, hope, and charity are all embroidered on the elliptical, imaginative, and impressive episodes of and among humans, animals, and even gods in this immemorial anthology of ancient wits. “The North Wind and the Sun” teaches about the force of gentility over the fear of intimidation. “The Woman and Her Hen” resonates with the timeless adage of everything in moderation. “The Milkmaid and her Milk Pail” corroborates the famous proverb that you should keep a bird in your hand than catch two in a bush. Treating others in a way you want in reciprocity illustrates the dinner scenes in “The Fox and the Stork.” And yes, I believe President Ted Roosevelt must have gotten inspiration from “The Astronomer” that you should look at the stars while keeping your foot firmly on the ground. And there are more stories to wow modern readers.
Aesop’s Fables are so practical and amusing that all of them collapse millenniums between his telling and our reading it. Besides, all of them read like Book of Proverbs or Psalms in free verse or prose version, which makes the reader unburdened with textual analysis to decipher meanings intentionally obfuscated by the high intellect the academic writers of the sort. The Fables are comprehensive to all, serving a purpose of providing tenets of reading; to bestow pleasure of the sense and satisfaction of reason in a way you do not consult a help of a dictionary or other lexical or literary reference. Reading the Fables gives a feeling of watching a TV cartoon, say Woody Woodpecker, which tells something about man’s nature wrapped in an animal hide. So do not fear reading Aesop’s Fables now. It is well worth spending your free time discovering the universality of the truth with that “A-Ha!” moment regardless of the subjectivity of time.