The dauphin ascends to the throne With a poise, he reigns there And calls for absolute power To claim his supremacy alone. The queen sees the revolt And with sweets to the sweet Wields the magic flurry wand And spirits him away to the beyond.
I always feel guilty about leaving Toro alone when I go to work. It would be best to add another feline companion, but the existential circumstance prevents it. Hence the flying tenants moved in. The new parakeets are Sera (Blue) and Pippi (Green), who demonstrate that the phrase “eats like a bird” should be part of the Woke movement of removal. They are also unknowingly clever and perceptive that I wonder if they are secretly enchanted humans serving their time for misdeeds till the spell is cast off.
Toro, aka the Curious Cat, also seems to know that Sera and Pippi are a joint force to be reckoned with, so to speak, but nevertheless shows undeterred attention to every move the duo takes with feline discreetness. Timid but curious, Toro wants to touch the moving feathers of parakeets whenever they come out of the cage for sauntering. But the birds show no fear but irritation against the unwanted friendship from the lonely feline. Poor Toro. I console him after Sera pecks his little nose with her dainty beak in protest against his pawed touch. However, my original purpose of making the birds friends with Toro is still valid because both Sera and Pippi do not altogether repulse Toro with wild shrieks of danger.
I hope the birds will be warm to Toro as time goes by till we move to a bigger and better place to live so that I can bring another cat to the family.
Twinkle, emerald dreaming, Love flocks in blue and green, Curiosity stalks love’s gathering, Loneliness emboldens attempting touch of love fluttering in longing.
Whether it is my animal zodiac sign of Tiger that is believed to be highly incompatible with anyone with that of monkey, let me just clarify that monkeys are my least favorite animals. However, that doesn’t mean that I should not feel strongly about the article from a recent issue of BBC Wildlife about the U.K.’s primate trade accompanied by the title photo of the baby marmoset named TikTok. Call it milk of human kindness. I cannot just leave the pages closed and forget about it as a piece of memory. The images and words still haunt me, which prompts an enduring reckoning, resulting in writing this essay.
The primate trade in the U.K. and here in the States evokes the human history of slavery. Under slavery, human lives were counted as chattel, and the families were continuously disintegrated because of volatile trade-offs. On the same token, keeping primates as pets seems no less different from colonialists or slave owners whose eyes were set upon the exotic physical attributes of the people they subordinated.
The article has also taken me to my brief research into the U.S. primate trade with the following facts: in 2012, 19 states, including California, where I live, had outright bans on private monkey ownership. The primates are considered a threat to wildlife and public safety and health because their habitats and nature are not agreeable to our environment despite our conventional knowledge of primates as the closest to our species lost in the evolution tree. Come to think of it, the idea of “Planet of Apes” has a point in reversing the directions of gaze from humans to apes, and vice versa, showing us why the two species could not cohabitate by confining them in the opposite environments.
We should not think of animals as live toys or ornaments that will satisfy our whimsical, capricious tastes. From pets to wildlife, animals are not our property but companions. I know it for sure when I feel a little heart of my cat Toro sleeping at my feet.
The Electrical Life of Louis Wain is joy and sadness, lightheartedness and seriousness, just like his paintings. It’s about love and art in the oddly beautiful vagaries of what it means to be a human (in the company of cats). Wain’s cats graced the epochs before Walt Disney’s Mickey Mouse (and Minnie) and His Gangs) debuted. But Wain was not Disney, and would he have even wished it? Perhaps, that is why Benedict Cumberbatch decided to give Wain a second chance to shine his name once more on earth in the magic of moving pictures that resurrected him from the lapse of time through the chapters of his story in this superbly narrative of the artist.
Louise Wain was a brilliant artist, a contemporary of French impressionist artists, such as Monet, Pissarro, Degas, and Renoir, and Dutch Vincent Van Gogh, all of whom were united in the brotherhood of independent spirits and resilient creativity. Yet Wain’s was a different sort, more existentially debauched in the provisional circulation of works, in the crossroads of the reality of being the only male figure in the parentless family led by the dominant matriarchal sister and of the ideal of ensconcing himself in the solitary niche. All artists are by nature sensitive, but Wain was extraordinarily sensitive, and the world was too much for someone like him to deal with. His wife, the light of his life, was the only happiness and love he felt and shared, but jealous God took her away from him and left him in the lurch of the familial duties and responsibilities in the somber household. This house eventually drove him and his younger sister into the oblivion of reason to the end. Yet, notwithstanding the personal tragedy, Wain’s unique visual world articulated with the sonar modulation of impulse that sparked his creative spirit yearning to soar up to the boundless ether on a par with constellations with stars.
Benedict Cumberbatch, now universally recognized as the Sherlock thanks to the phenomenally successful BBC series, proved to be a superb character actor who became Louis Wain rather than merely playing the artist’s part. Ancient Greeks and Romans regarded actors as an equivalent of a spiritual medium whose body could be channeled into another spirit for a willful possession during a mysterious rite of sacred ceremony. If that was the case, as it were, that was how I felt watching Cumberbatch being Wain as if he had summoned the soul of the dead artist from the beyond and asked him how the artist’s life would be told. His naturally mild, gentle deliverance of character nuanced the inner fear, confusion, and frustration that Wain must have felt in dealing with the realities of everyday life as a reluctant and unlikely head of household. Yet, his passionate eyes and particular diction dictate that Wain was an artist of force, a man not of an age but for all seasons.
“So you have now the earth, the water, and the sky in your room! Awesome!” That was my brother when I told him over the phone about my recent adoption of a parakeet from a Petco. The paroxysm of excitement catapulted me into the awareness of a reality that I did bring a bird—those small but sharp beaks and those wrinkled tarsi feet manifesting the atavistic characteristics of dinosaurs, particularly the T-Rex. The truth that I now have to cohabitate with the least-likely coveted descendent of T-Rex still swivels my head in wonderment as if the ghost of Alice in Wonderland possessed me. So why the bird then?
While there might be the remotest chance of using my parakeet as a divine medium to consult my future, I have recently brought Sera home with great expectation of making a friend with the lonely Toro. Toro is now one year and four months old, and his growing curiosity calls attention for a playmate to share his enthusiasm and vociferous nocturnal stamina. Of course, the kinship of feline presence is the best option to fulfill the requirement. Still, the existential circumstances of present life eliminate it. Hence the lot fell into a blue parakeet I named Sera after the talking bird Serah, a travel companion of Sinbad the Sailor, from my favorite childhood cartoon. As you can guess, Sera is a girl who spends most of her time in front of the mirror and then trills in high soprano like a pretty and prim starlet prima donna.
My endless attempts to tame Sera to sit on my finger and her constant ignorance of my presence are both disheartening and ireful. Toro is a susceptible and timid cat who denied looking at dead fish by turning away his head from the sight. Even though Toro wishes no harm on his new friend Sera, who fastidiously avoids him with all her feathers and beaks, she defends herself from him with all her might. Toro looks at me with his large sad eyes full of liquid heartaches whenever the conflict occurs, and I comfort him in my arms. Sera then flaps her tiny pretty wings, returns to her castle, and ensconces herself on a twiggy perch with a loud and snappy chirping as a sign of victory over the feline Goliath.
I still don’t know if my decision to extra-species friendship is counterproductive amid Sera’s callous attitude toward Toro and me despite our apologies and continuous endeavor to reconcile with her. Perhaps I should not have taken Sera yet from the cage while she might have been still not familiarized with her new home. Still, there’s hope in my Pandora’s Box weaved in a rope of sparkling diamonds that promises a dazzling delight of trust and love filling the loneliness of the little hearts in our room. Who knows, one day Sera suddenly talks both Korean and English and tells me my todays and tomorrows? You never know.