Howdy to all. Thanks for visiting my hermit blog either by happenstance or curiosity. Writing has always been my favorite activity by which I feel meaningful and truthful. It has been a magic marble, an alchemical mode of transforming myself into all that I want to become or capable of becoming via the magical process of words. As Francis Bacon corroborates, reading makes a full person, writing makes a whole person by expressing the self to the extent possible. I am not a great writer, but my passionate volition to express my inmost thoughts and feelings that strive for artistic manifestation exceeds such fear of public derision. This yearning for manifested creativity chimes the bell of Kurt Vonnegut’s benevolent adage: “To practice any art, no matter how well or badly, is a way to make your soul grow. So do it.”
Hence I published my first-time official short fiction on Amazon Kindle that is available now for free. It’s a whimsical story without a complex plot about a young girl unsure of herself experiences a kind of Midsummer Night’s Dream or Rip Van Winkle’s fairy tale. This may sound audacious hyperbole, vis-a-vis the works of the geniuses in Literature, but the semblance of thematic and the author’s affinity for the brilliance of the great literature allow her to make a literary parallel thereto, so to speak.
As some of you may know, English is not my mother tongue but a beloved adoptive linguistic child of mine that I love to nourish and nurture. That said, my first e-book is my attempt at producing a child of labor. This doesn’t surpass the degree of affection for this blog of mine, which is also a labor of love, but writing a book is certainly on a different spectrum of mental efforts.
Solicitation of readership may come across as an aggressive way of forcing people to read what she writes because it may not satisfy the level of expectations that a reader has set as an intellectual or entertaining touchstone, which is why I find it hard to self-promote my e-book. And yet, despite my shyness fused with hesitation, I would like to request that you try my e-book and leave your feedback on Amazon after reading because that’s the way I can grow into and blossom into a beautiful literary rose in the future. Won’t you as a kindred writing pard throw me a rope of hope to climb up the Alpine Path? Many thanks in advance! 🙂
Judy begins to feel like a whimsical paramour leaving for a new object of love at sight. What was pleasingly solitary in nature seems to be prolonged isolation from the world that Judy so wanted to escape, and her coquettish dalliance with the wild rugged nature is no longer wanted as the Sun is slowly moving westerly to cave into the Evening Star and the Moon. It might be still early for calling it a day to you with your weekend frolics still left to re-calibrate your kicks for another week, but it’s late for Judy, who would rather mourn for a passing of the last day of a weekend at home than rebel against it in a frenzy of nocturnal bacchanalian orgy elsewhere outside the comforts of her den. Now the anxiety holds a grip on her, and she begins to fret, and the miasma of the ill-feelings begins to effuse the uneasiness to Nena who begins to whimper and to the accidental trio of strangers observing every move that this girl makes as they are nearing to her, part perplexed, part bewildered. What a curious mixture of emotions she puts on her face! Rufus, Ben, and Raphael become curiouser and curiouser as they get nearer to the porcelain doll in their eyes.
‘Howdy! Lass! What are you doing here?’ Raphael, the talker, begins the talking. ‘We are headed west toward Los Adios Mountain. Do you know where it is?’ Judy incredulously looks up the mounted man with a mustache and a sombrero and thinks that he looks very convincingly like Sancho Panza, Don Quixote’s faithful servant. There’s something about the man, thinks Judy. The diction, the ambiance, and the deportment are rather anachronistic or incongruous even to the social media era where people flag their selfies on the internet as if they were on a popularity contest and compete for likes and comments as emotional security and collateral for their forged so-called self-confidence. My Dear Reader, don’t misunderstand that it’s immoral for you to hang your beautiful pictures on a digital platform for popular admiration. It’s just that this act of self-promotion serves as a springboard for testing your marketability and your mobility as a result of winning the competition for likability based upon looks and frivolous comments that do not mean much, much at all. Amid this train of thought, Judy despite being agitated by the lateness of the time warms to this amiable man and decides to answer him. ‘This is Wildwood Park, sir. Los Adios Mountain is 150 miles away from here. And you should go northward. You are far off from your destination.’ It is a sight to behold – the face of Raphael grimaced partly and bewildered partly, all in dazzling chemistry of emotions that is hard to describe. So much so that this display of indescribable human emotions on Raphael mollifies Nena’s agitation and puts the tempestuous waves of her emotions at ease. Now Judy feels refreshed and happy.
Rufus and Ben are within an earshot of this dialogue between the pretty lass and Raphael and cannot but be disappointed by the fact that they are once again on the wrong track, which seems to be forever chasing after a phantom of the dead Union soldier obfuscating them lest they should find where the buried treasure is. Where’s the Aztec gold? When can they find it? Maybe the miasma of frustration and agitation that hovered over Judy must have been transmitted to Rufus and Ben on the stead because now their faces mirror the symptoms of a malady of broken hearts. Then suddenly, Nena now recovered from the plague of uneasiness, springs forward and wags its chubby tail and bark toward the firmament as if it were looking at a thing invisible to your and my human eyes. Nena keeps barking and looking at the puzzled crowd behind as though it were trying to explain to them that there is something in the air that only Nena can see but we can’t see. ‘What is it, Nena? What do you see?’ Judy knows that dogs and cats can see supernatural things because their eyes can look through the souls of the living and ghosts of the dead. Judy tries to follow the direction where Nena is looking and barking and sees a gossamer trace of haze vanishing into the air like the vestige of a propeller plane soon to be effaced across the skies. The more Judy tries to scrutinize it, the faster it disappears. And Nena keeps barking, looking in front of the curious crowd. What is it that the dog is seeing?