My rating: 5 of 5 stars
The pomp and pageantry of polished military parade was a handsome sight to behold: the glory of valor, the canopy of military prowess marching in illustrious formation to Beethoven’s mettlesome “Yorckscher March” all seemed ebulliently auspicious for the Fuhrer, for the Fatherland, and for the People of Germania. And then was heard no more. Woe betided the soldiers lured by such sensual grandeur of militarism meticulously embroidered on piquant propaganda into the March of Carnage at the expense of their youthful dreams and hopes shattered by shells and shrapnel of weapons of killing. Or those whose existential dilemma left them but a choice of going to war found themselves hostages to Goddess Fortuna.
The detritus of destroyed arms, scorched earth, and blood-stained uniforms might have been washed up by the tides of time, but the memories, willed or unwilled, still remain in the minds of the former Wehrmacht (German military forces of the Third Reich) veterans and tell the stories of their firsthand experiences of war in their own words like tesserae religiously put together in a mosaic of humanity. It’s all here in this book, bereft of acerbic decry of the “Nazi” soldiers, packed full of imperturbable accounts of the fading warriors.
In the historical tradition of Thucydides, whose credo was to examine the validity of any popular beliefs for historical objectivity based on factual information, this book follows the ancient credo of providing factual reports of the reality of war in the context of the soldiers’ individual experiences of life and death based on unambiguous, substantive eye-witness account. The reader will get to see the phantasmagorical display of images of war as filmed by each of the veterans presented in a way that it creates a feeling of watching a neorealist film of straightforward nature made by a hand-held camcorder. In all considerations, this book is worth the reading to appreciate the tribulations and personal experiences of the soldiers of the much despised and feared military forces during World War II because after all, they were also humans who fought for their own lives against the showers of shells and shrapnel. To conclude, no other poet than W.H. Auden could have chimed the bells of emotions and feelings of the soldiers this resonantly in his poem Spain:
To-day the deliberate increase in the chances of death, the conscious acceptance of guilt in the necessary murder; to-day the expending of powers on the flat ephemeral pamphlet and the boring meeting.
To-day the makeshift consolations: the shared cigarette, the cards in the candlelit barn, and the scraping concert, the masculine jokes; to-day the Fumbled and unsatisfactory embrace before hurting.
The stars are dead. The animals will not look. We are left alone with our day, and the time is short, and history to the defeated may say Alas but cannot help or pardon.