Great Philosopher Spinoza advised the mankind of how to endure suffering in days of yore: “Emotion, which is suffering, ceases to be suffering as soon as we form a clear and precise picture of it.” The essence of this suprameaning of emotional suffering, which Spinoza also poetically termed Amore Feti (Love of Fate), is to endure what you can’t change but to accept it as it is, for there is a meaning to it in the dark night of the soul. In the terrible ordeal of the tormented soul, one has two choices to make: to yield to the force of deception calling for total abandonment of hope or to force oneself to turn to the voice of hope to sustain strength of the heart. The sovereignty of humanness is manifested by this holy office of selecting the spiritual choice in the darkest hour of the soul in the deepest valley of the abyss. “Hold the Sun in Your Hands: The story of Erika Jacoby”, a short documentary produced by Harvard Westlake-School, is one such tale of a survivor from the atrocity of moral and physical turpitude as a young child at Auschwitz during World War II.
A curious alchemy of illustrative animation and neorealist documentary delivers a momentum of pathos without elaborately scripted lines or special effects in the most powerfully elliptical way, which adds to the authority of truth that the story itself owns. Ms. Jacoby’s straightforward narration without a prolix litany of her woeful past is felt through the heart of the viewer, and it communicates to the mind of the viewer her smothered traumatic experience at Auschwitz, where she had to witness the death of her beloved and the enormity of evil reincarnate in the Nazis’ mass killing of the Jews and the violence against humanity through the eyes of a young girl. Accordingly, the film is seen in the perspective of a young child whose innocence betrays ingenuousness of the story and thus delivers the profoundness of such experience that sublimates it into the highest form of Art in the context of regarding Da Vinci’s aphorism of “Simplicity is the ultimate sophistication.”
This short documentary has chimed the hearts of thousands, including those judges at the Cannes Film Festival, which is one of the most highly regarded film festival (note that it’s not an “award” ceremony where only gowns and jewelry and tuxedos and fake smiles are visible.) in the world. It will be shown at the American Pavilion at Cannes this month as part of a series on young, emerging film makers, one of whom includes Ian Kim, who is son of Mr. Harry Kim, a corporate lawyer at a law firm I am privileged to work. The creators of this documentary will appear on stage at Cannes, ergo it will be a festivity of creation, a festivity of humanity. Above all, the fruit of this film is a triumph of human will that rose above the carnage of war and the degradation of dignity and a manifestation of meaning of life, will to meaning, freedom of will as also corroborated by Dr. Viktor E. Frankl, founder of Logotheraphy and also a survivor of five concentration camps during World War II. Ms. Jacoby shows us what it means to have hope as long as she lives. Dum Spiro, Spero. This documentary will strike the highest notes of your heartstrings.