- The Cretan Bull and the Minotaur
The story of a half-bull and half-man monster known as the Minotaur epitomizes the primordial thematic perspectives of mankind juxtaposed along with the law of nature representing the mysterious force. It became a subject of belief tradition peculiar to its natural and cultural environs. The conflicting sentiments of reverence toward the awe-inspiring nature’s creatures and the ambition for domineering them as the ruler of the universe give birth to the bestial creature in the figure of the terrific Minotaur who was fated to be slain by the Athenian hero Theseus.
King Minos betrayed Poseidon by keeping his beautiful snow-white Bull, instead of sacrificing it to the expectant god, who, in turn, made his wife Pasiphae unquenchably infatuated with the Bull. She copulated with the beast by taking herself into the form of a hollow wooden cow designed by the Athenian architect named Daedalus. The result was the Minotaur kept in a Labyrinth by the selfsame designer of the wooden cow. The Minotaur showed no human feelings or emotions as the mythology did not treat him any more than a horrible bestial creature from the unnatural union of a woman and a beast.
A Bull in the ancient Greek culture was a chthonic animal associated with fertility and vegetation and also represented the sun and the might. In fact, the famous figure and paintings of bull-leaping are seen inside of the Minoan mausoleum in Knossos as first discovered by the eminent English archeologists Arthur Evans, who also found Linear A and B letters, the mother of the ancient Greek language, at the turn of the 20th century,
- The dog – the best friend of mankind
The perspective on the dog as the loyal canine companion collapses the millenniums between the ancient Greek’s time and ours. Even the Cerberus, the three-headed guard dog of the Hades look tamable with a piece of sweet cake, making it look less of a menacing beast necessitating the blood and flesh of man. This goes without saying that it was Argos, the paragon of the faithful canine, who recognized his travel-weary employer Odyssey after 20 years of absence from home and put forth what might think he had to approach him with a wagging tail. He died as his long-waited boss in incognito passed by him with his heart pounded by a surge of pathos dubbed in warmth. Of all the gods, goddesses, heroes, and even his family, it was Argos who showed genuine, artless unconditional affection to Odyssey and thus rendered his heroic owner all the more humane and sympathetic.
Speaking of loyalty, Laelaps, a Greek mythological dog that never failed to catch what it was hunting, also denotes how the ancient Greeks perceived the dog as their life companions. Laelaps was initially a gift to Europa from Zeus, then bequeathed to Minos, who gave it to his concubine Procris whose sister included Pandora. She gave the hound to her husband Cephalus as a token of her unbroken love for him Cephalus used the hound for hunting the Teumessian Fox that could never be caught. Then Zeus turned both of the animals into the stars as the constellations Canis Major (the dog) and Canis Minor (the fox).
Consequently, the use of the animals above in the thematic context in the Greek mythology evinces that mankind cannot exist alone as part of nature. Man finds his meaning of what it means to be a human and its purpose in life by rendering the values and precepts of natural law emblazoned in the human consciousness to the meta figures of the mythology. The mythological animals, whether wild, imaginary, or ordinary, are the reflection of the human traits interbred with imaginary creatures from the Elysium of Fancy. It became the substratum of a belief tradition administering to the modes of social behaviors in society, and thus developed into an organized religion by way of syncretism in the era of Christianity.
A Cat in the Mirror 