What seems abnormal may be normal to you. Seeing dead people may not be the most pleasant talent, but if that’s what you are born with, then it’s normal, and you have to live with it through Kubla-Ross’s famous five stages of dying. That happens to Jamie in his narrative of the coming-of-age proclamation of his identity in this story.
Dead people are like quiet people lurking in the background of Jamie’s life. They appear to him as the last moments of their earthly lives, talking and joking to Jamie, who can see and hear them, albeit rather unreluctantly, because he’s not much pleased with his uncanny ability. But then it’s the discerning talent -says the Bible – that helps him know who he is, like an epiphany of a family secret locked in his uncle’s lost memories, thanks to nature’s force of dementia. However, this story is not so much a psychological thriller as a supernatural drama that is so characteristic of Stephen King’s novels, with a level of uncanniness combined with realism that makes his stories all the more real and relatable. The settings, the dialogues, and the jobs the characters have are not far-fetched, fanciful, or bourgeoisie, all of which attest to King’s engagingly realistic storytelling skills.
Later is a three-fold story of horror without goriness, mystery without glamour, and bildungsroman without teenage angst. King has a unique knack for incorporating popular entertainment with serious literature that attracts readers of all generations and classes. He is a literary descendant of Nathaniel Hawthorne, Washington Irving, and Edgar Allen Poe, who defined American literature in the constellation of the World’s Literature for the joy of the beholders from generation to generation. All in all, this book will be one of the stars in the constellation.
A Cat in the Mirror 