Hittites: A History From Beginning to End by Hourly History
My rating: 5 of 5 stars
The name Uriah always fascinated me from British Rock band Uriah Heep to the biblical Uriah, whose beautiful wife led him ultimately to death, willy-nilly, by King David infatuated with her sensuousness. When I learned that the ancestor of Uriahs was the founder of the Hittites race, being the great-grandson of Noah, the biblical patriarch, I had a Eureka moment. Consequently, I picked up this concise but comprehensive book on the Hittites to know a little more about the people whose founder had the great name.
Before the splendor of ancient Greek contributions to our human cultural progress as a collective enterprise, there was the forgotten but enduring legacy of the Hittites, the mysterious Indo-European trailblazers of civilizations at the crossroads of the East and the West in the vast plain of modern-day Turkey. The Hittites were an integral people to solve the mystery of mythological and biblical events anchored in the real world, thus dissolving fact and legend into one another like a genie from an empire that vanished into the dunes of time and comes alive in the calling. The calling of these mysteriously vanished people came first from British Reverends Archibald Henry Sayce and William Wright in the early 19th century. They discovered the artifacts and sites of the Hittites. Their discovery led to more remarkable discoveries. During the middle Bronze age and Iron age, the Hittites were the first to utilize iron from the region of present Armenia to craft tools and weapons. Also, the Hittites were deft at commerce, developing the city of Carchemish as an ancient mercantile hubbub in which they imported products from Phoenicia and exported them to Assyria (the North) and Babylon (the South) in Mesopotamia. In this fabulous ancient city, Israelites of the Old Testament acted as intermediaries in trade between Egyptians for exporting horses and chariots and the Hittites for importing them.
Like all those famous entertainers who sparkled then lost the lusters, the Hittites as a collective empire fell from splendor gradually by outside forces: some pointed the fingers at the Sea People, while the others blamed a certain barbarous Kaska people. But, perhaps, such clandestine ending of the Hittites is what makes them formidably alluring and mysteriously fascinating, blurring the boundary of fact and legend. Suppose you are keen on the history of ancient civilizations other than Greece and Egypt. In that case, this elegant primer for the history of the Hittites will equip you with fundamental knowledge enough to whet your craving for more and more profound knowledge about the Hittites.
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Category: book review
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‘Hittites: A History From Beginning to End’ by Hourly History – book review
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Sister Wendy’s lovely ‘Speaking to the Heart: 100 Favorite Poems’ – book review
Speaking to the Heart: 100 Favorite Poems by Wendy Beckett
My rating: 5 of 5 starsSister Wendy was an erudite and delightful cloistered art historian in a veil who knew that Poetry is a song of the heart from a mind spring of sense and sensitivity, not to be burdened with a weight of reason. The result is a lovely apple-picking of her favorite poems in her pretty poetic orchard to share the beauty with the universal reader whose heart intoxicated and the spirit exalted in ethereal ecstasy. Her selection of poems manifests the finer tissues of her heart and the higher octaves of her spirit. Reading the entire book creates empathy for the sensitive minds of the poets so physically poignant that the reader senses the pain and the longing of the poets vis-à-vis.
Sister Wendy, also known for her long-time BBC documentaries on the history of art, speaks her heart through the poems of her choice colored in the spectrums of human emotions, ranging from longing to wonder, hope to sorrow, and anger to love. Even the subject of Faith becomes alluring due to Sister Wendy’s magical transformation of the matter into fairy-like ideation with sensually diaphanous wings as pagan as could be. Her interpretations speak on the poet’s behalf as an individual soul at the utter solitude, not as a literary artificer whose achievement merits the name in the canon of literature. In doing so, Sister Wendy brings out the poet’s true sentiment under a forage of words and shines her mystic perspectives on the poet’s reading in a splendid but straightforward way.
The reader will find famous, not-so-famous, and obscure poems from Elizabethan England to 20th century America in this lovely book. Sister Wendy is both discriminating, and non-discriminating in the human emotions poured into the world of poetry. She is discriminating in the sense that she has a “Third Eye” that sees the poet’s soul and understands the sentiment nuanced in the poem, including wrath and despair, poisons to the mind. Non-discriminating in a way, she values poems spirited in the heroic but straightforward endurance of existential malaise in everyday life written in the plebian language. From Shakespeare’s ‘Fidele’ to John Harris’s ‘Feral’ and many more, the reader will feel ennobled to walk the gardens of the poetic Elysium with Sister Wendy introducing you to each of the poets’ greeting and smiling.
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Teresa of Avila – book review
Teresa of Avila: A Life from Beginning to End by Hourly History
My rating: 4 of 5 stars
Her epithet is deservedly illustrious, equal to her protean capacities for being multifarious: saint, mystic, and artist’s muse who was a curious kind of practical mystic with vision to match – that she would talk and hear God’s words from within and share them with the crowd in practice of charity, faith, and hope but never without heart. Protestant Elizabeth I of Great Britain might have envisioned the image of a Catholic nun of Spain a night before her Tilbury address that she had a woman’s body but had the bravery of a king. She is also the Doctor of the Church. She is Saint Teresa of Avila, the headstrong founder of the Carmelite Discalced and the woman of Lorenzo Bernini’s Ecstasy of Saint Teresa.
My first encounter with this remarkable woman was not religious but academic; while researching women’s monasticism in the high medieval age during my college. Teresa saw many women who were too poor to pay dowry and didn’t want conjugal life found convents as shelters from social conventions without certain religious convictions. Consequently, convents became gossipy sonority houses populated with lackluster and jealous nuns backstabbing one another. The sad atmosphere of the convents used as a mere social institution propelled Teresa to establish the Carmelite Discalced – the Convent of Saint Joseph – with physical labor and disciplined monastic rules not without tenderness attended to individual nuns from all walks of life. She abolished land ownership and rent collections of and by nuns and instituted self-sufficiency of working without shoe but sandals, hence the name “Discalced.” The reformation within the Church was seismic but was a necessary medicinal receipt for the ailing monastic community.
What is most brilliant about Teresa was to create the idea of “The Interior Castle,” a philosophy that the creator of the Universe dwells inside the castle of our souls. That God is from within us, rather than the beyond betokens the idea of personal God with whom we can communicate and thus become a literal mirror image of him for what’s best in ourselves. In fact, this revolutionary philosophy is also linked to Giordano Bruno’s “The Memory Palace,” from which the knowledge needs to be unlocked to bestow upon us the power and joy of the knowledge from within. Further, it is related to the idea of the Nine Muses, whose inspirations are invoked from our minds, not from the Olympus or oracles. All of the mentioned above shares one origin in the cognitive technique employed in Christian meditation developed from the essential reading and contemplating the Bible. But Teresa’s Interior Castle is a beautiful poetic license to enrich power that is never esoterically prideful but blissfully joyful. Where Bruno’s Memory Palace and the Artist’s Nine Muses are not all-inclusive, Teresa’s Interior Castle is universal with tender charity and faith even if it is not necessarily Christian God.
Teresa of Avila was one brave and adventurous woman who was a prototype of feminist in the sense that she voiced out her mind to the patriarchal church authority in danger of being suspicious of heresy or witchcraft even in Catholic Spain, known for the Spanish Inquisition. But she was not a vociferous activist for abolishing the Church or would-be founder of an offshoot of the Church. Teresa was religious of the supreme kind. However, she never abandoned her femininity latticed with passion for helping a young priest in his spiritual crisis in war with physical temptation, tenderness for attending those in need of her consolation, and beauty that was both beautiful externally and internally. She shows us that a strong woman doesn’t need to shout out invective expletives or clamor for the reward for her damages in the name of womanhood when it is really for her sworn revenge. Aside from sectarian religious affiliations, Teresa of Avila deserves her reputation as a star in the Milky Way of the Great.
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Democratizing Delicacies
The delicacy of life that sprinkles flavors to our otherwise mundane routine of everyday life is not a prerogative of the rich. American Catholic saint Dorothy Day once gave a diamond ring donated by a wealthy woman to a poor demented old lady and riposted to a chiding onlooker thus: “Do you suppose that God created diamonds only for the rich?” In this light of democratizing luxuries, Chef Marie-Antoine Careme championed the world of haute cuisine available to all walks of life and shared his knowledge and experience of Haute culinary arts for the use and enjoyment of the public.
Born into a poverty-stricken peasant family in 1784, Crame was abandoned at ten by his father, who told him to make use of his cleverness for his future. Before long, Careme found an apprenticeship to a famous patisserie. That was the beginning of his long, epoch-making legacy of master patisserie. With an innate intelligence and passion for culinary art, he opened his patisserie within a couple of years. His ingenuity for culinary art and a happy chance led him to a top diplomat’s chef to cook diplomatic banquets, for which he became the most sought-after chef in Paris. The success catapulted him to opening a famous patisserie at 19 on the rue de la Paix, baking the wedding cake for Napoleon and Marie-Louise of Austria. If Napoleon conjures up an image of a scrumptiously layered piece of Napoleon, Careme is smiling in a constellation of artists in heaven. Careme’s popularity endowed him with a celebrity figure in post-revolution, industrial age Europe where the luminary la dolce vita aristocrats commandeered was beginning to shine on those on the low rungs of social ladders. Careme might have been an ambitious entrepreneur to mark his name all over Europe with the crowning glory of lucrative success, but no one else but he tried to share the taste with the crowd indiscriminating class distinctions in his time.
Careme’s success story has a familiar rags-to-riches repertoire with a combination of chance and apposite time surrounding his rise to success interacting with his talents. But why not the taste of the fame when his triumph of will over strife inspires achievable hopes and approachable aspirations? Careme personifies overcoming the mantra of existentialism that experience precedes essence. The fact that his own indigent family abandoned Careme didn’t dispirit his connatural intelligence nor did it plunge him into a Slough of Despondency. Or that didn’t really matter to Careme with his eyes, nose, and hands tuned for the world of delicacy that used to be exclusive for the rich and whose heart made it accessible to all. Indeed, the man was not a saint, nor do I intend to canonize him. But at least his actions and legacy deserve appreciation and admiration adorned with flowers and bonbons.






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