





He was Man of Infinite Varieties
In the Craft of Words with Masques:
A High Priest of Poetry of Delphi,
A Prefect of the Ancient Knowledge,
A Thespian of Comedy and Tragedy,
A Hercules whose Might was Pen,
An Odysseus in Search of Truth,
A Pretorian of Classical Precepts
With the elevated Heart of Passion
And the exalted satisfaction of Reason
Whose Brilliance of Star Outlasts
The Celebrity of Instant Comets.
“To one who has faith, no explanation is necessary,” said Thomas More, who died for his relentless faith despite Henry VIII’s promise of honor he would confer on to his most trusted counsel in his cabinet. Samuel Johnson also confirmed that faith required no byzantine theories or philosophy for the validity of truth. Until I attended a public Sunday mass in a parking lot yesterday, I had not realized the power of faith, which I doubted I still had in my heart.
The beautiful liturgy of the mass, which culminated in the Eucharist, was akin to a flowing of streams of life to the eyes of a seasick seaman and the thirst of a weary traveler. I had never expected such exaltation of the soul with faith disappearing into an abyss of despondency populated with a school of doubt, disbelief, and frustration nurtured in a reality of everyday life. But while listening to a priest’s sermon based on the reading of Matthew 25:31-46, which is about the importance of practicing faith into actions, especially by sharing milk of human kindness with people you feel least likable or unkindest.
The priest further asked if we would counsel with God in making decisions in life or just about anything needful of help. No one answered yes because let’s face it, we regard such tendency to recourse to God as a derogatorily medieval way of living life in this Digital Age of Artificial Intelligence. We try to reason our faith with the validity of practical truth and willfully turn our heads from the Gospel with the usual facade of “Religion has nothing to do with it.” But then can you also prove that we are nothing but of a highly complex living organism made of accidental atoms, sans souls? What is the feeling that urges you to search for meaning in life, our sense of purpose? Can atoms do it?
It is my wholly solipsistic reflection of hearing mass, but now I feel like finding Ariadne’s Thread in the labyrinth to find a way out on this last day of the church calendar. What a feeling. Peace to be with you, and God bless you all.
Ignorance is the timorous and indolent plight from fear because knowledge is considered to be remotely extensive and inscrutable to be comprehended. It retards the progress of the mind and numbs the sense. Samuel Johnson avers in his weekly essay ‘The Rambler, No. 137’ avers that one remains unenlightened unless he is diligent to search for the origin of wonder with a pause of reason, a sudden cessation of mental progress when confronting the unknown to him. The need for general knowledge, the knowledge that confers Citizenship of the World, is an essential element of human characteristics, and an easy task to fulfill in search of meaning in life.
Johnson’s idea of knowledge is simplicity. It is jettisoned from a concatenation of needless abstrusely sophisticated theories and ideologies. It also chimes the bell with the Renaissance virtuoso Leonard da Vinci’s adage that simplicity is the ultimate sophistication in all principles. However intimidating or formidable the unknown is, the essential feature is simple to understand by way of ‘Divide and Conquer,” a principle that complication is a confederacy of the abstruse that can be broken into parts marked by the gradations from the first agent to the last consequence. The force that breaks the shackle of fear for conquering the unknown huddle is patient diligence armored in confidence. The labor of inquiry for wonder follows natural curiosity and confidence that eclipses the soul’s darkness. It comes to fruition by ceaseless efforts to ascertain the origin of the wonder in simple ways. The English philosopher who also advocated democratic pedagogy, John Locke, affirms that the surest way of thorough comprehension knowledge is to attempt little by way of repetition. For the widest excursions of the mind result from short flights of mental imagery and instant thoughts triggered by neurons fired in our cerebral cortex, which can be transformed into an organization of ideas firmly engraved in the mind.
However, knowledge loses its purpose if it dissipates into the possessor’s cerebral ether or is locked in the mind’s cabinet. It becomes useful and purposeful when put into practice. That is why Johnson gives heed to those who pride themselves in the impressive educational backgrounds and belittle others whose mental capacities they arbitrarily judge ignorable or even ordinary. Knowledge is for share, and it is a duty of a scholar who has a wider variety of knowledge through years of academic endeavors for the common benefits of the world he lives in. As Francis Bacon fittingly concurs, books can never teach the use of books. Generally speaking, it is common for intellectuals, despite their ostensible calls for democracy and justice for all, to live out of touch with the practical realities of life and often regard such matters as trifles. But what is worthy of their glorious learning if it does not accommodate the purpose of life? Johnson criticizes such lofty arrogance of the rarified subset of the general population because they lose their days in unsocial silence and live in the crowd of life without a touch of humanity. It also reminds me of Bacon’s utterance of loneliness in a group as such: “Magna Civitas, Magna solitudo.” In this regard, George Orwell is together with Johnson because they saw the educated’s superciliousness, the intellectuals, who often conferred their knowledge to their honor in the voluntary seclusion.
Upon reading Johnson’s essay, I could not help but wholeheartedly agree with the purpose of knowledge and the idea of sharing it with others for the world’s common good. I was also glad to learn that I was not the only one who thought that people with academic credentials were frequently dismissive of the opinions of what they regarded as the mortals of the ordinary among whom I am. Therefore, I hope that the reader who reads this essay of mine should not belittle the soul attempting to obtain the sunshine of the light of letters to understand the world in a perspicuous way to declare to the world that I also can think and express it cogently. That is my essay on knowledge for the purpose of life.
The Cat in Ancient Egypt by Jaromir Malek
My rating: 5 of 5 stars
I admit that most of my posts relate to the cat nowadays. But what else should I write about when an orphan kitten enters my castle and in need of care and love? My five-month-old cat Toro is a domestic short-haired breed as subsumed by a vet at the shelter, but his appearance and characteristics make me believe that he must be a descendent of Egyptian Mau. My conjectural reconstruction of Toro’s possible ancient scroll of his family (paternal) led me to Jaromir Malek’s The Cat in Ancient Egypt, which tells all about how cats became naturally harmonious with humans, which played a significant role in the anthropological and social aspects of splendid ancient Egyptian civilization.
The domestication of cats resulted from the advent of agriculture when man began to settle on the farm, and civilization came to blossom. It was about 1,500 years later than the domestication of dogs as hunting assistants to men. Of all the ancient civilizations, the Egyptians sow the seeds of love between the cats and humankind. Abounded with various fauna and flora benign to the human inhabitants, the jungle cats and African cats thrived and became familiar animals to the Egyptians, who began to use the cats to drive off pesky mice poisonous snakes threatening their lives and crops. Naturally, wild cats gradually learned to adapt their wild instinct to their new protective human environs.
The frequency of cats’ representations in ancient Egyptian art is a creditable source to understand cats’ familiarity and recognition as pets in the overall culture and society. The images of cats first sporadically appeared in the tombs of pharaohs built during the Old Kingdom period (2647 -2124 B.C) and became widespread mural art features by the New Kingdom (1549-1069 B.C.), which is also called the renaissance of the pyramids. Maybe it was because of the mysterious aura surrounding the inscrutable demureness of a cat, or it was the otherwordly aloofness wrapt in ethereal agility. Cats became popular hieroglyphic and effigial motifs for artists and priests alike in cultural and religious contexts decorating chambers within sacred tombs and temples. Also, cats were the aesthetic muse for women’s high fashion, used as motifs for the jewelry of queens and women of high society.
What evolved from a quid pro quo relationship between man and beast for the survival of the species found its way to the high seat in the eternal world. The familiarity and recognition of cats’ usefulness blessed with physical charm elevated the beastly origin into a divine status in the statuesque form of goddess Bastet, the sister of the Sun god Ra, representing female sexuality and fertility, which reflected the specific characteristics of the animal. The Sun god himself was also called the Great Tomcat because the god meowed during what he was doing. So much so that the ancient Persians used to equip the shields with live cats at war with the Egyptians, who dared not to harm their sacred animals.
On the other hand, cats were not altogether distant from the everyday lives of the ancient Egyptians. The Greek historian Herodotus further corroborated that the Egyptians shaved their eyebrows when their cats died as a sign of mourning. The more cats became domesticated, the more multiferous their features became. Artists started using cats as a caricature of specific human characteristics illustration of fables with a moral content, representing the absurdities of reality in a humorously wise way. Such artistic trend was most conspicuous during the Ptolomy period when Egypt was under the Hellenistic influence to resist foreign cultural force. Cats were symbolized as the animal inherently Egyptian to the land of pharaohs.
Beautifully written with sentences that conjure up the images of ancient Egyptian cats, Malek’s The Cat in Ancient Egypt serves its purpose of educating and entertaining the curious reader who wants to know more about his or her beloved feline creature at home. That doesn’t mean that this book is reserved only for cat owners or lovers. This book has refreshingly excellent archeological and anthropological knowledge about human civilization, impacting animal life. The affection is the elder sister of the understanding. I personally selected this book to read because I wanted to know more about my cat. Likewise, this book is for readers who want to know more about Nature and People’s history.
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