I know a thing about loneliness: willing and unwilling. It is lovely when it is mixed with white noise, like the sounds of raindrops or bells tolling afar. But too long quiet becoming dead silence unwanted is dreadful and miserable, as if I were forcibly cut off from the rest of humanity. That’s what happened to the spacemen on Neptune in Ad Astra (2019 film) or Mars in The Martian (2015 film) in their fated space odysseys.
Ad Astra shows Major Roy McBride (played by Brad Pitt) is a cinematic version of Classical Greek drama. Roy is a hero because he has conquered his fear of not being true to his sensitive nature. It is also an epic tale of man’s voyage to the end of the world in the sense that he reaches his ideation of dream in truth. One of the most memorable scenes is when Roy falls from the ladders of the International Space Station’s spacecraft to the Earth, a spectacular rendering of the Fall of Man from high to low. Still, it also means an escape from darkness to light, which the Blue Marble symbolizes.
If Ad Astra is sentimental, the Martian is jovial in approaching a man in solitude. Mark Watney (played by Matt Damon) is a resourceful botanist who makes the possible out of the impossible. His brilliant mind, blended with his adorable wit tipped in cheerful disposition, propels him to survive on Mars and never surrender to hopelessness. Watching Mark growing potatoes on Mars and telling jokes to the camera to cheer him up reminds me of Horace Walpole’s following quote: “This world is a comedy to those that think, a tragedy to those that feel.” Charlie Chaplin adapted thus: “Life is a tragedy when seen in close-up, but a comedy in long-shot.”
Man in space seems romanticly adventurous and mysteriously atmospheric. Still, it is a metaphor for being alone, the existential distress with no sense of direction in life with no one to speak to but the sound of silence that echoes loneliness aloud. Yet, those moments of darkness will pass if you let them go away with the will to live. Indeed, Matt Watney is brilliant in figuring out how to live in such an adverse environment, but he would perish soon without his will to live. So is Ron, who could have been lost in space had he given up to disappointment. They are Nietzschean superheroes who have whys to live and thus huddle through any hows. Also, nothing is more beautiful than Earth, sparkling like a gorgeous blue marble. Therefore, there is no point in war, conflict, or any unrest among ourselves because we are all family in Humankind in the universe.
Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh 
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