Tag: creative writing

  • the California musketeers – double trouble

    GettyImages-139795856-58ece3fe5f9b58ef7e8344a0

    Your present fears are less than your horrible imaginings.  What you see now is what you get with, deal with, and live with. It’s no way around, and if you run away from it for an instant reprieve, you know it will come to you again sooner or later. This is it, thinks Judy. I must take it and bear it with a grin. These men, the trio looking like characters from a western movie, appearing from the wild high noon haze, she does not fear, but their impending intents of coming to her with mysterious questions she doubts. Surely, doubts are healthier than fears because fears can crush your strength, and the weakness emanating from within can double the strength of the foes. Judy is secretly asking God to come to aid her and make haste to help her as the images of the trio are entering her trembling irises of the big beautiful brown eyes and fill her eyes in entirety.

    ‘Howdy! Lass!’ Raphael, the talker, begins the talking. The two other men on the stead behind Raphael display the look of curiosity and amusement. They are pleased to see a pretty woman with a matching cute little dog in the middle of the wild. Quite an exotic kind of a bird, Rufus and Ben think in harmony. But the exoticness comes not from the demarcation of the race but from a uniqueness of beauty: innocence and sensuality are delicately concocted in her big brown expressive eyes decorated with long, thick Persian black eyelashes like black silk curtains. And the crown of her beauty seems to be bestowed on the tall slim figure that renders her graceful and respectful. There’s something about her, which sets her apart from the women they have seen in saloons, music halls, ballrooms, and any place where flowers of society gather and mingle to be wooed and wed. ‘The lucky bastard’, think Rufus and Ben, both of whom envy Raphael with admiration for his way with ladies. In terms of looks, Raphael is an epitome of your ordinary amigo: slightly chubby in a frame, a round smiley face that looks impossible to grimace decorated with a neatly trimmed mustache, all amicability personified that will save him from malicious gossips and wrongful accusations. Hence, Raphael is the talker of the trio and a sort of mother and father to Rufus and Ben with his practical sense of reality and survival skills.

    ‘We are headed west toward Doritos. Do you know where it is?’ Raphael asks the lass as friendly as possible. Judy incredulously looks up the mounted man with a mustache and a sombrero and thinks that he looks very convincingly like Sancho Panza, Don Quixote’s faithful servant. There’s something about the man, thinks Judy. The diction, the ambiance, and the deportment are rather anachronistic or incongruous even to the social media era where people flag their selfies on the internet as if they were on a popularity contest and compete for likes and comments as emotional security and collateral for their forged so-called self-confidence. My Dear Reader, don’t misunderstand that it’s immoral of you to hang your beautiful pictures on a digital platform for popular admiration. It’s just that this act of self-promotion serves as a springboard for testing your marketability and your mobility as a result of winning the competition for likability based upon looks and frivolous comments that do not mean much, much at all. Amid this train of thought, Judy warms to this amiable man and decides to answer him. ‘This is Wildwood Park, sir. And I am sorry that I have never heard that there’s a place called Doritos, except for a brand of chips.’ Upon answering, Judy could not but burst into a peal of laughter. It is a sight to behold – the face of Raphael grimaced partly and bewildered partly, all in dazzling chemistry of emotions that is hard to describe. So much so that this display of indescribable human emotions on Raphael mollifies Nena’s agitation and puts the tempestuous waves of her emotions at ease. Now Judy feels refreshed and happy.

    Rufus and Ben are within an earshot of this dialogue between the pretty lass and Raphael and cannot but be disappointed by the fact that they are once again on the wrong track, which seems to be forever chasing after a phantom of the dead Union soldier obfuscating them lest they should find where the buried treasure is. Where’s the Aztec gold? When can they find it? Maybe the miasma of frustration and agitation that hovered over Judy must have been transmitted to Rufus and Ben on the stead because now their faces mirror the symptoms of the malady of broken hearts. Then suddenly, Nena now recovered from the plague of uneasiness, springs forward and wags its chubby tail and bark toward the firmament as if it were looking at a thing invisible to your and my human eyes. Nena keeps barking and looking at the puzzled crowd behind as though it were trying to explain to them that there is something in the air that only Nena can see but we can’t see. ‘What is it, Nena? What do you see?’ Judy knows that dogs and cats can see supernatural things because their eyes can look through the souls of the living and ghosts of the dead. Judy tries to follow the direction where Nena is looking and barking and sees a gossamer trace of haze vanishing into the air like the vestige of a propeller plane soon to be effaced across the skies. The more Judy tries to scrutinize it, the faster it disappears. And Nena keeps barking, looking in front of the curious crowd. What is it that the dog is seeing? They all look at the barking dog and become curiouser and curiouser.

  • 150 miles to El Dorado

    foggy-morning-in-a-meadow

    Judy begins to feel like a whimsical paramour leaving for a new object of love at sight. What was pleasingly solitary in nature seems to be prolonged isolation from the world that Judy so wanted to escape, and her coquettish dalliance with the wild rugged nature is no longer wanted as the Sun is slowly moving westerly to cave into the Evening Star and the Moon. It might be still early for calling it a day to you with your weekend frolics still left to re-calibrate your kicks for another week, but it’s late for Judy, who would rather mourn for a passing of the last day of a weekend at home than rebel against it in a frenzy of nocturnal bacchanalian orgy elsewhere outside the comforts of her den. Now the anxiety holds a grip on her, and she begins to fret, and the miasma of the ill-feelings begins to effuse the uneasiness to Nena who begins to whimper and to the accidental trio of strangers observing every move that this girl makes as they are nearing to her, part perplexed, part bewildered. What a curious mixture of emotions she puts on her face! Rufus, Ben, and Raphael become curiouser and curiouser as they get nearer to the porcelain doll in their eyes.

    ‘Howdy! Lass! What are you doing here?’ Raphael, the talker, begins the talking. ‘We are headed west toward Los Adios Mountain. Do you know where it is?’ Judy incredulously looks up the mounted man with a mustache and a sombrero and thinks that he looks very convincingly like Sancho Panza, Don Quixote’s faithful servant. There’s something about the man, thinks Judy. The diction, the ambiance, and the deportment are rather anachronistic or incongruous even to the social media era where people flag their selfies on the internet as if they were on a popularity contest and compete for likes and comments as emotional security and collateral for their forged so-called self-confidence. My Dear Reader, don’t misunderstand that it’s immoral for you to hang your beautiful pictures on a digital platform for popular admiration. It’s just that this act of self-promotion serves as a springboard for testing your marketability and your mobility as a result of winning the competition for likability based upon looks and frivolous comments that do not mean much, much at all. Amid this train of thought, Judy despite being agitated by the lateness of the time warms to this amiable man and decides to answer him. ‘This is Wildwood Park, sir. Los Adios Mountain is 150 miles away from here. And you should go northward. You are far off from your destination.’ It is a sight to behold – the face of Raphael grimaced partly and bewildered partly, all in dazzling chemistry of emotions that is hard to describe. So much so that this display of indescribable human emotions on Raphael mollifies Nena’s agitation and puts the tempestuous waves of her emotions at ease. Now Judy feels refreshed and happy.

    Rufus and Ben are within an earshot of this dialogue between the pretty lass and Raphael and cannot but be disappointed by the fact that they are once again on the wrong track, which seems to be forever chasing after a phantom of the dead Union soldier obfuscating them lest they should find where the buried treasure is. Where’s the Aztec gold? When can they find it? Maybe the miasma of frustration and agitation that hovered over Judy must have been transmitted to Rufus and Ben on the stead because now their faces mirror the symptoms of a malady of broken hearts. Then suddenly, Nena now recovered from the plague of uneasiness, springs forward and wags its chubby tail and bark toward the firmament as if it were looking at a thing invisible to your and my human eyes. Nena keeps barking and looking at the puzzled crowd behind as though it were trying to explain to them that there is something in the air that only Nena can see but we can’t see. ‘What is it, Nena? What do you see?’ Judy knows that dogs and cats can see supernatural things because their eyes can look through the souls of the living and ghosts of the dead. Judy tries to follow the direction where Nena is looking and barking and sees a gossamer trace of haze vanishing into the air like the vestige of a propeller plane soon to be effaced across the skies. The more Judy tries to scrutinize it, the faster it disappears. And Nena keeps barking, looking in front of the curious crowd. What is it that the dog is seeing?

  • Her Secret Society

    From a land of morning calm far across the deep sea
    In a crystal palace shining like the North Star in the night sky,

    She selects her own society
    Then shuts the door;
    Into her delightful variety
    Intrude nevermore.

    She hears a galloping stopping
    At the ancient stable of Artemis;
    Still, a kingly hunter is bowing
    To her Sovereign Grace.

    I know her from the land that is no longer a land
    when she was a changeling abandoned in the wood                                                                   with streams of her sorrow gushing out of her eyes                                                                    So don’t let me see her drown in the sea of sadness – evermore.

     

  • bewitched

    18x10Van_Gogh_s_Wheat_Field_Crows
    “Wheat Field” by Vincent Van Gogh

    To write with an eager spirit summoned

    On all the Consciousness there conjoined

    And put a pen to paper in an expense of wills

    On the visions and vagaries of the mind’s eyes.

    Author’s Notes: Writing is a solipsistic act of a self in an expense of a will, filling a page after page with eruptions of feelings, emotions, and thoughts. I strongly believe that our human faculty is rather instinctive than reasoning, rather physical than metaphysical. It’s a sovereign act of self-will that yearns to manifest the buried hopes, anticipations, and desires that are denied to those whose existence, in reality, is invisible. I write for sheer egotism to let people know that I exist and for aesthetic pleasure to express the ecstasy of my soul when appreciating the beauty of arts. Therefore, I write and will continue to write despite my invisibility. 

  • Sylvanian troubadours

    Nature is a free luxury spa for all without asking of you any identification card or permits to visit. It is a marvelous Carte Blanche given to us as our birthright gift from the greatest man above.

    Nature is a spectacular cinema of what alchemists considered as the essential components of the Universe, where Fire, Water, Earth, and Air create a symphony of Beauty unsullied by human artfulness. So much so that Lord Byron rhapsodized about this natural beauty thus: “There is pleasure in the pathless woods, there is rapture in the lonely shore, there is a society where none intrudes, by the deep sea, and music in its roar; I love not Man the less, but Nature more.”

    And that is what I and my band of Sylvanian troubadours saw and thought when we went hiking yesterday. We looked at beauty and saw it was purchased by the weight. What a wonderful world it was! Would it be the same feeling God was surged up with when he saw the world after his creation? I bet it was.