The golden curtain is drawn
After Helios’s chariot is gone;
The pale hues of passion shine
In the sweet soft twilight;
The Hesperides open heaven
with the golden apples bright;
Selena rides in the moon chariot
Hecate waits at the crossroads;
I search for my star spirited away
into the world of gods till dusk to dawn.
Of all liturgical feast days, only Easter Sunday rekindles my dying embers of hope at the dire moment of despair, beginning to grow bigger and glow lighter, filling the void of the heart’s chamber with excellent brilliancy. So when the priest during the homily this morning asked the congregation what Easter meant to us, I had my inner share of answer that it’s about Hope against Hope till the last breath, just as Jesus himself has risen from death. Whether a pious Christian myth or ecclesiastical dogma, the idea of Resurrection gives one the joy of reckoning that there is no night so long that it has no hope of a day. It is aptly applied to the present -day of the war in Ukraine and everyday life circumstances when hope seems a fleeting dream, foolhardy gambling without responsibility.
Pope St. Francis addressed the Ukrainians during the Easter Vigil Mass and the Way of the Cross on Good Friday: “We can only give you our company, our prayers, and say’ you’ courage, we accompany you.” Courage with humor being a handmaid to hope defeats the shadows of darkness. It motivates one to continue a journey in life, however perilous and disappointing it seems to appear, as attested by Viktor E. Frankl, the father of Logotherapy during his internment years in Nazi death concentration camps. Frankl forced his mind to be occupied with the hopeful thought of writing a book about Logotherapy. Suppose anyone challenges Frankl’sFrankl’s experience as no more sordid than what the present-day Ukrainians are experiencing now. In that case, the person is equally no less lofty than an unreconstructed nationalist with no regard for the human race.
Further to the importance of courage and hope, the pope also spoke of reconciliation and forgiveness when loss of values, vengeance, and rage dominated humanity’s better angels. However, the Major Archbishop of Ukraine’s Byzantine-rite Catholic Church disagreed with the pope, calling it untimely during the carnage of the war broken up by Russia. In the meantime, Zelensky is pressuring President Biden to declare Russia as a state sponsor of terrorism, striking “HELP” to the West. Didn’t Jesus point out the importance of love of your enemy because the fury would consume your whole being, making you ever unhappy and miserable with no sight of mirth and laughter but anger clenched with fists? While I commiserate with the sufferings of the Ukrainians, I also understand the price of a continuous blaze of ire hell-bent on vengeance. It will only continue a vicious cycle of war in epicycle, just as Herodotetus realized in the narrative of the ancient battles in the Histories. One can use the free will to either forget the past regrets thing or move on because the footprints left behind can only take you back and in a backward mode, making you fall by the wayside of your yet unknown destinations in life.
Easter Sunday is beginning to be drawn into the past. I want to record and convey my train of thought visible before the sun with its pale scarlet hues lingering in the twilight of the West. But I still have hope and keep it with me. Thucydides called it a dangerous illusion more potent than the reason that transforms it into an awareness of odds in one’s favor. Whatever it may be, for what’s worth, I will have hope as long I breathe—Happy Easter to Urbi and Orbi.
The dauphin ascends to the throne
With a poise, he reigns there
And calls for absolute power
To claim his supremacy alone.
The queen sees the revolt
And with sweets to the sweet
Wields the magic flurry wand
And spirits him away to the beyond.
Is anyone out there? Although I feel like a lonely gauche scientist who incessantly sends a life signal to an extraterrestrial being across the galaxies, I am again sending another life signal in writing to express that I am still alive. So, if any accidental reader stumbles on this blog, welcome.
I once read that magic is the power of manipulating nature without knowing the source of the force. If so, then the magic I once possessed is lost, making me good for nothing. But, as observed by Francis Bacon, I am talking about the faculty of cognition that affects linguistic abilities for speech that makes a ready person, reading a full person, and writing an exact person. The satisfaction of reason, the power of expression aspiring to development of the spirit, which gave me a content elbow room, vanished into the curtains of the past, leaving me to fend for provisional existence of survival in the most primitive way. It reminds me of Viktor E. Frankl’s memories in concentration camps, where many of the inmates dissipated into the hopelessness of abandoning themselves in the stupendousness of tragedies.
I always think of my life as an inspiration fit for a documentary film about a working-class immigrant single woman who painstakingly tries to preserve a sense of purpose in life with a grasp on intellectual aspiration. Doing so makes her compare to the burgeoning careers of her peers, who seem to be of a higher station in life than she. I am not trying to play a typecast role of proverbial fatalist or unreconstructed defeatist caviling at the happiness of others as a result of their hard work and abilities to do wonders. That would be a callous and sordid a priori judgment for her unfortunately cursed life. Didn’t Shakespeare also say that our lives are governed by our stars? Didn’t Cicero believe that our lives can be read by avian augury? Come to think of it, Francis Bacon and Isaac Newton also believed in and engaged in alchemy craft. The commonality of the examples described above illustrates that there are more things in heaven and earth than are dreamt in your philosophy about the world, whatever it may be.
The Maid by Nita Prose is a one-of-kind, touchy-feely novel without collapsed grand narratives and vehement subjective rhetorics about existential vertigoes in life that burdens the reader with a duty to interpret the philosophical, the intellectual meaning of a story, all fragmented and adrift. Instead, the story uses the real to perfect the ideal delightfully blended with a taste of Murder She Wrote with relatively ordinary characters doing the most extraordinary things like you never know.
The Maid is one lonely young Molly Gray. She is a Maid of Maids, taking her job religiously in a hotel that does not quite reciprocate her dedicated service but sees her as a quiet oddball because of her reclusive comportment. But Molly is a swan in a lake of ducklings and geese, a harpist among percussionists, whose feet constantly move beneath reality’s surface. Molly is anachronistically muliebral and incongruously proper. She belongs to a preceding era of decency, saying early Edwardian London as a chambermaid, a coveted position for working-class women. To judge Molly as a misfit is downright callous and heartless because she inwardly craves recognition from those she thinks of as sympathetic souls who use her as a pawn in their game of passion and avarice. The more we learn about Molly as the narrative deepens, the better we know of her as if we were contracted severe strains of Stockholm Syndrome. Hence, our better angels persuade us to forgive and forget the stupendousness of truth that Molly confides to us at the end of the story’s labyrinth.
This fictional Maid by Nita Prose and that real-life Maid by Stephanie Land are stories about working-class women struggling with the realities of life by themselves. The only difference is that the former has a blessing of luck in the form of sympathetic and resourceful supporters who rescue her from a dungeon of hopelessness. It is understanding because, as Charlotte Brontë expressed, one of the reasons she wrote was to be a kind creator for her stories’ heroines otherwise to whom no sweet soft touch of warmth and love would caress their weeping heads. However, Molly, the Maid is not all melancholic, a damsel in distress, a clueless loner succumbing to a subtle form of gaslighting because she is the one who laughs the last laugh with intelligence wrapped in a maid’s hide. Molly Gray the Maid may have a woman’s body but has the king’s stomach and heart in the most magnanimous way. Therefore, don’t mess with Molly – and the likes.
For all this time beneath this visiting moon,
Where treasure is, my heart has not been at it
with the lights of the lamp glowing in the gloom.
But now I see the voracious time
devour the kingdom of the shore,
And the solid earth rule over the liquid main,
Increasing store with loss and loss with store;
When I see such vicissitudes of state,
Or fate itself repeated over and over;
Splashes of battle have taught me to ruminate
That nothing stays the same to remain forever
And I can’t depend on anything that changes.
This thought is a truth that hope chooses
And in the dying moments of today, fears I lose.
Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh 
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