Tag: reviews

  • Billy Budd by Herman Melville

    Billy Budd, SailorBilly Budd, Sailor by Herman Melville

    My rating: 4 of 5 stars

    The ageless question of human nature pertains to the paradoxical mysteries of human personality shaped by our perception of the world, as reflected in ancient mythologies. Herman Melville saw this intricate irony in this representation of reality in connection with the development of complex human personality in the characters of Billy Budd, John Claggart, and Captain Vere in this nautical novella.

    (1) Psychoanalytic perspective: The characters are emblematic of Freudian elements of personality. They are id represented by Billy (intuitive mind), ego (conscious mind) by Claggart, and superego by captain Vere (ethical consciousness). Billy’s ingenuousness, unalloyed beauty both in physical appearance and inner qualities, and young age symbolize the earliest phase of development of human personality. Hence the name “Budd” seems to betoken this emerging state of metamorphosis into early adulthood. When Dansker warns him of Claggart’s malicious intention to do harm on him, Billy dismisses the advice and insists on Claggart’s friendly treatment of him. In Billy’s representation of reality, Claggart exists as what he sees: a kind officer who does not give him a hard time. In fact, it is this innocent child-man like quality that becomes Billy’s fatal flaw.

    Billy Budd is doomed to be ruthlessly crushed when he is transferred as a foretopman to the naval ship HMS Indomitable. Here he meets his Valkyrie John Claggart, Master-at-Arms equivalent of Chief Police Office or discipline officer, who is always down upon Billy, for a reason indicated none other than his being divinely beautiful and angelically kind. It is the old veteran sailor named Dansker who regards Billy as his little child and informs him of Claggart’s devious motive. All these characters are at the helm of Captain Vere (whose name is derived from the Latin word Verite, meaning truth. Here the vessel is a model of representation of reality surrounded by seas, which is the world it anchors in.

    Claggart’s reason for his hatred of Billy is clandestine. He appears to act according to his ego, the conscious mind which Socrates considers as spirit. It seems that Claggart’s loathing of Billy becomes inflamed when Billy accidentally spills pea soup on his feet because he believes it to be Billy’s intentional effrontery. Claggart seems to act by his emotions based on the purely abstract reasoning of the mind. Therefore, Claggart’s model of reality is a result of his own way of interpreting the situation with his faulty assessment of the character that defiles his mind with dangerous antipathy toward the youth.

    Captain Vere, a figure of authority that convenes both Billy and Claggart on the subject of alleged mutiny as instigated by Billy, represents the ethical mind, the superego, the reason. He acts as an executor of justice to gird up the loins of discipline among his crew amid the revolutionary wars on the sea. Vere feels that Billy is innocent; however, when Billy hits Claggart to death at his false accusation of him as a mutiny leader, Vere is convinced of Billy’s alleged guilt and orders his execution by hanging. In a way, Vere represents an amoral authority figure dealing with individual citizens or subjects according to law and order minus spirits and appetites.

    (2) Mythological perspective: It is also interesting to look at this story of Billy Budd as folklore tinged with a mythological undertone of heroism akin to Norse mythology. The figure of Billy Budd reminds the reader of an ideal hero dying young; the hero can prove his nobility of character by death because often heroism depends on lost causes. The young welkin-eyed Billy Budd’s death gives rise to the high concept of this Nordic hero because the real power of good is shown by continuing to resist evil while facing certain death as the legacy of Billy Budd is immortalized in the seaman’s ballad. In my opinion, this story of the welkin-eyed young hero reflects Melville’s model of a heroic individual whom he once envisioned in his sailing days. Or perhaps, Billy Bud could be what Melville wished his two sons lost in unfortunate occasions (Malcolm, the eldest, who died of a self-inflicted gunshot wound in 1867 and another Stanwix, who died in 1886 in San Francisco) to be like. It would have been Melville’s mournful tribute to the deaths of his sons as enshrined in the mythological figure of Billy Budd.

    The book is written in an intricate prose style with the literary vocabulary used in the 19th century and historical allusions to the revolutionary wars and the great Admiral Nelson’s naval wars to give to the story a more realistic setting. Melville, who was a seaman himself in his youth and later settled as a customs inspector in New York City, wrote this novella in 1891, the time of his death. It was actually his postmortem work, published in 1924, 33 years after this death. And it was this work that kindled widespread interest in Melville’s works.

    Reading this tale of an angelic sailor will give the reader a sense of reading a Norse mythological tale because the protagonist of the story is evocative of pathos flowing from the complex human nature that is sublimated into heroic triumph over the face of the harsh reality of the world.

  • It’s a Strange Place, England by Jack Strange

    It's A Strange Place, EnglandIt’s A Strange Place, England by Jack Strange

    My rating: 5 of 5 stars

    Jack Strange’s England is never a bore; it is a mystifying country with its tempestuous history and colorful characters populated by the ever undead of the bygone eras still roaming their past abodes or workplaces among the quick. It is a quaint country where history meets myth and legend. This book will guide the reader to Strange England where fanciful folklores and historical facts are anchored in the traditions and customs.

    The author admits that England is perhaps arguably one of the most haunted countries in the world, thanks to its religiously and politically tempestuous pasts spanning the wheel of time from the Roman colonial period to the present. To illustrate, in Derbyshire a spectral Roman sentinel is often seen leading a parade of a circus comprising gladiators, chariots, and slaves, then all of them disappear into the mist. Another lovelorn Roman soldier is witnessed alongside Hadrian’s Wall in Northumberland, wandering in despair of his betrayed love for a fair English maiden. The phantom English residents also encompass the Benedictine monks led by St, Cuthbert in Lindisfarne, which was a target for frequent raiding by Norsemen who also threatened the cradle of English Christianity. It is said that the best time to see the saint or the monks is when the tides are high and a full moon lights the shore as a natural lantern.

    England is also a home of many interesting sports that are historically – and sometimes by happenstance – originated. The World Gurning Championship in Egremont in Cumbria was originated in 1267 when the Lord of the manor gave out crabapples to the locals. One can imagine without difficulty the consequence of tasting the apple, and thus can master the art of making as ugly face as possible. Hence this hilarious tournament comes to exist to this day. It’s open to everyone – yes, even to the fairest of all – , and it’s all about fun and participation. Also, there is Black Pudding Throwing Championship in Ridge, Lancashire. Originated in 1455, this tournament shows English humor mixed with historical irony, which makes it all the more convincing. It was during the period of “War of the Roses” elegantly referred by Sir Walter Scott (who was a Scot) to the feud between the House of York whose symbol was a white rose and the House of Lancashire a red rose. At the Battle of Stubbins in Lancashire in 1455, both forces decided to throw puddings at one another instead of lances. Believe it or not, the descendents still commemorate the incident by holding a championship every year with mirthful popularity.

    Subsequent to Strange Tales of the Sea, the author Jack Strange has done a marvelous job gleaning the extensive historical documents and cultural artifacts from his tireless research to provide his reader with interesting facts about his England. Strange is a gifted artificer who digs artifacts buried in the depths of forgotten times and lost folklores. Strange is also a mysteriously reclusive figure himself because there’s no personal information about him. Maybe that’s why his writings are so hauntingly attractive and oddly addictive. Strange is an excellent storyteller who weaves a tapestry  of legends and folklores imbued with his impressive knowledge of the history of England and his English humor permeated in his writings. This book is Strange’s winking invitation to his beloved England that spins a general image of the country with enchanting oddity and wide-eyed wonder that the readers will not tire of.

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  • A License to Heal by Steven Bentley

    A License to Heal: Random Memories of an ER DoctorA License to Heal: Random Memories of an ER Doctor by Steven Bentley

    My rating: 5 of 5 stars

    Steven Bentley, M.D., an American Board of Emergency Medicine certified ED doctor and also the author of this book with a fabulously fitting title, began his medical vocation in the mid-1970s with a naive but noble cause to heal the wounded and save human lives. His reason for choice of the ER Medicine was that it consisted of Minor Surgery and Emergency Medicine and thus gave him opportunities to practice a wider scope of medical knowledge and administer it to a wider range of patients.

    Over 30 years until his retirement in 2000s, Dr. Bentley was a commendable doctor equipped with an arsenal of immense medical knowledge combined with a sea of compassion and kindness to treat all the patients he encountered in the ER of a hospital in North Carolina regardless of their social and economic statuses. Unlike most impersonal, officious doctors, Dr. Betley “listened” to his patients and oftentime went out of his way to help a patient whose medical need was repeatedly and cruelly rejected beyond a reasonable measure.

    Welcome an old veteran man whose doctor was out of town, so he had to get his prescription for blood pressure control refilled at a VA hospital. However, it was such a painful ordeal for the old man, for he had encountered frustrating runaround from one hospital to another because they did not want to take a responsibility for refilling his prescription without his primary care doctor’s consent. So when the man finally came to Dr. Bentley, he burst out crying saying, “All I need is to get my usual prescription refilled…” Thereupon, Dr. Bentley wrote him a refill prescription and told him not to come back to the hospital. And off the man went out of the hospital with a relieved mind.

    The world of the emergency medicine as experienced by the ER doctor himself was a variety of fragmented views of human frailty, both physically and mentally, but it was also the world of the most human medical practice where compassion, kindness, and charity were witnessed to the hopeful eyes and shared by the staff and the doctors in the name of humanity.

  • Facing Unpleasant Facts by George Orwell

    Facing Unpleasant Facts: Narrative Essays (Before Orwell)Facing Unpleasant Facts: Narrative Essays by George Orwell

    My rating: 5 of 5 stars

    Eric Arthur Blair, better preferably known as George Orwell, wrote a series of essays that dealt with the subject matters close to the human life in the manner of a journalist with heart. This book is a definitive anthology of Orwell’s essays contributed to various magazines and newspaper that will invite the readers to the Orwellian world of reality as he saw and he liked.

    Orwell was capable of perceiving the absurdities of reality and truths masqueraded by ornamented political euphemism to obfuscate the masses for unscrupulous intentions. Of all his essays, “Why I write” is a paragon of his fineness as a great essayist. In the essay, Orwell provides the readers with sage guidelines for a writer, one of which is a choice of the subject matter that should be determined by the age a writer lives in. Such advice links with Leo Tolstoy’s view on great work of art to be closely related to the ethos of the time it is made. That is, a writer is unavoidably influenced by the ethos of the time he lives against his willful struggle to escape from solid reality.

    Orwell asserts that a writer should discipline his temperament lest he should be stuck at immature stage or depressive mood. A writer should think straight so that he can write clearly. This shows Orwell’s belief in writing not as a platform for babbling about his egoistically driven existential dilemma of daily life, for consuming his energy into such self-induced woes and pains will kill the creative spirit in him, the very impulse to express himself as he truly is. To my delight, Orwell further expounds 4 motives for writing as follows:

    (1) Sheer egoism: desire to be regarded as clever and much to be talked about. Writers are vain in the fact that they do want to be individuals, not compromising with the social conditions of reality. Writers can be egotistical and vain because of their elitist attitude toward the opinions of others and general opinions of the public, but are less interested in monetary reward.

    (2) Aesthetic enthusiasm: desire to beautify arrangements of words in pleasing manner by using a plethora of flowery words and rhythmical rhymes.

    (3) Historical impulse : desire to record historical facts of the time to pass the written records for the use of posterity.

    (4) Political purpose: desire to direct the world in a specific direction in order to influence people’s views on society in such direction as it should be

    The readers may find Orwell’s credo in writing rather anachronistic and dogmatic in consideration of the time the essay was written (1946). However, what rings the bell is the recognition of impulse to write as a sublime human act of expressing himself in connection with the time and society he lives in because as Aristotle put, “Man is a political animal.” This collection of Orwell’s poignant, honest, and witty essays will guide the readers into the mind garden of Orwell where moral obligation and the psychological facts are differentiated as pointed out in “Such, Such Were the Joys” and  where there is a pleasant, family-friendly pub called “The Moon Under the Water” with a privilege to appreciate Orwell’s brilliant display of language facility and power of facing unpleasant facts in his own words.

  • How to Be Your Dog’s Best Friend by Monks of New Skete

    How to Be Your Dog's Best Friend: The Classic Manual for Dog OwnersHow to Be Your Dog’s Best Friend: The Classic Manual for Dog Owners by Monks of New Skete

    My rating: 4 of 5 stars

    One of my favorite saints of the Church is St. Francis of Assisi because of his humanity, compassion, sweet nature, and his love of animals with whom he is believed to communicate based upon the story of his converting the Wolf of Gubbio to a tamed animal. The story goes that while living in the city of Gubbio around 1220, St Francis volunteered to take leave and meet a ferocious wolf who devastated the country by attacking people and livestock. When St. Francis finally met the wolf, instead of punishing him for the offenses, he gently admonished the wolf to cause no more plight to the people and the livestock and promised him that he would be fed daily by the people of the city. The wolf was grateful for the compassionate promise and put his front paw on the saint’s hand as a gesture of accepting the advice. Thereafter, the Wolf of Gubbio kept his promise with the saint and became a tamed pet animal of the city.

    With this evocative image in mind of the gentle saint and the tamed wolf I had once seen on a prayer card, I selected to read this book by Monks of Skete of the Eastern Orthodox Church. In this regard, I was piqued by the facts that (1) these monks were reputable German Shepherd breeders and acclaimed canine-human relationship teachers; and that (2) the monks lived with the dogs in accordance with the teachings of the Gospel manifested in their healthy relationship with the dogs. However, the monks of Skete carefully avoid religious jargon in the book lest the book should be interpreted as a promotion of their faith. Instead, their faith is carefully incorporated into the belief of fostering their ideas about dogs with a philosophical and spiritual foundation for personal change because dogs mirror who we are by responding to the way we treat them without deception.

    The gem of this book is the monks’ views on salubrious human-canine relationship as appreciation of truths of the two worlds: one world of our own human prowess as a caretaker and one world of their own pristine nature as a guide to the wondrous natural world from which we have gradually distanced. While we provide them with food, shelter, and veterinarian care, dogs enable us to appreciate the beauty, the warmth, and the compassion that are deeply rooted in our humanity we often overlook or even try to suppress in the face of existential dilemma. In consideration of the aforesaid, I believe that the story of St. Francis of Assisi and the Wolf of Gubbio is not a myth but a truth.