Tag Archives: supernatural

Terror made him write: ‘Ghosts, Apparitions, and Poltergeists’, by Brian Righi – review

Ghosts, Apparitions and Poltergeists: An Exploration of the Supernatural Through HistoryGhosts, Apparitions, and Poltergeists: An Exploration of the Supernatural Through History by Brian Righi

My rating: 4 of 5 stars

A ghost is really unfinished business. It was, it is, and it will be. The existence and belief of supernatural entities are universal in all human societies as regards the sense and sentiments common to all mankind. From the Far Eastern shore of Japan to the end of the Aegean Sea across a great divide of time, the forefathers of humankind revered, feared, or cherished the souls of the departed regardless of cultural and racial differences. Such human tendency of holding onto supernatural existence is, therefore, not an antediluvian pagan belief to be scorned or debased as a superstitious practice of the misty past but a natural phenomenon validated by historical eyewitnesses as presented in Ghosts, Apparitions, and Poltergeistsby Brian Righi.

Although the title of the book may mislead you straightforwardly to the world of ghostbusters and mediums, it is anything but a sensational book about that sort of thing aimed for the jolt of psychedelic horror. Righi is both an erudite and refreshing writer well conversant with the ancient histories of the world and the related academic subjects, who treats the ghostly subjects of the book enlighteningly and entertainingly with the sap of a fresh-eyed academic, gripping the mind of the learned reader without losing the attention throughout the pages. He references Plato, Pliny the Younger, and the other ancient notables to corroborate the existence of supernatural strangers still roaming their once earthly abodes either not knowing they are dead or refusing to emigrate into the beyond for undying attachment to their life on earth. The method gives his stance on supernatural phenomena power of reality vested in the authenticity of truth.

I find this book very much in accordance with my perspective on the souls of the dead, as it also corresponds to the Catholic belief in which the souls of the dead are officially revered in the fashion of feast days of saints and daily prayer for their deliverance from purgatory to heaven and asking them to pray for us to God. However, there is no prerequisite for reading this book as long as you want to know about why some of our once fellow-citizens of the terrestrial world are roaming about and living among us, seriously.

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they come to her at night

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The night was a strange paradox of light and dark. It was too dark to invoke images of the bright beautiful things. It was too light to provoke imaginations of the blissful obliviousness. The night was a white heat of the sleepless senses that kept taking in all seen and heard even after the provocateurs were long gone out of sight. This was maddening and becoming madder and striking the notes of all madness. Iris couldn’t sleep as the night was getting deeper and darker, and it was consuming every part of her in a great white incandescent flame like a funeral pyre that once engulfed Dido’s forsaken body and unfortunate heart. The senses that kept her awake besieged her glass castle without mercy and started to screen the scenes of sadness and more sadness as an apparition of the past narrated the story buried in its tomb without an epitaph. She was wide awake at the bewitching hour, and she was helplessly defenseless against the force of the hour.

Since she was a little girl, Iris has been going through the same nocturnal rituals of waking up at 3:00 AM on time, precisely, continuously, as always. Every single night was every single rite of this uncanny performance of sleeplessness – that is, exactly at 3:00 AM. When she wakes up, the electronic digits always show 3:00 AM with glows that seems to grow lighter the more she looks at it in fearful awe. Fearful because Iris has learned that it is the hour when the gates of the underworld, the netherworld, the world beyond are open, and the regions of faeries and wandering spirits roam the earth as witches fly to the devil’s banquets. Hokum it may be, but the bewitching hour also seems to include Iris as a coterie of the supernatural for what’s worth. This secret is hers and hers only in fear of being branded as a weirdo or a witch’s apprentice even. Yet, because Iris’s soft heart cannot bear a secret too long for its painfully tender fullness of emotions and feelings to keep it to herself, it now agonizes her sense and antagonizes her sensibility. And it was this night that got her to a paroxysm of inquisitiveness, inadmissibility, and ineffableness, enveloped in the mysterious veil of incredibility so enigmatically eerie that it almost felt infatuating with the unknown.

The magical hour was now in possession of the waken Iris with wide eyes, and the effect was smeared into every part of her body without a miss like ink instantly and ferociously diffusing in a glass of clear water. She did not like it, but her opinion was useless under the power of the supernatural hour. Iris wanted to break the spell and doing so would require her of facing another unknown mysterious force. Her Catholicism would defy her magical assumption on the incredible symptom, but Iris knew that her religion itself entailed the magical qualities of belief and that it was only natural for her to connect the dots between the two belief systems as a solution to her ghostly malady. That’s it. She can’t take it anymore, she can’t have it any longer. Forget the religion, and think primal. Iris has made up her mind to start her investigation of the supernatural phenomenon that she has been going through to find whys and wherefores.

The Haunting of Nan Tuck

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from google

A poor young girl’s on the run for her life
From a dungeon in chains in tears in fright,
Hounds on her heels, horses spurred with might
Chasing after the witch on the run for her life.

Then she stopped at a village miles away
And sought a refuge in the name of charity
To save her poor soul in calumny of foul play
By which she would be burn at stake and die away.

Thereafter on a hill atop the village for ever,
The girl is seen – but not heard in daylight,
The girl is heard – but not seen at night
On a hill atop the village that had a murder
On its conscience, for no one goes there – Never.

저장

trumpet volunary – beginning

This is the beginning of my novella about a woman striving against the limitations imposed on her by reality with her fierce individuality and queasiness in her belief in destiny or fate. Her investment of spiritual discernment is her congenital gift, but that which makes her special defenestrates her to the perimeter of society like a cunning woman or herbalist in the Elizabethan England. Is she then a middling between an angel and a demon? Her search for the meaning of her so-called life, the secret of her existence is the linchpin of this daringly attempted story I have decided to conjure up in the peculiar alchemy of fiction. 

 

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“Bedroom in Arles” by Vincent van Gogh

It was a cool, bright mid-Monday morning, but Julie was still in bed, in bed with her still tenebrous somber spirit returning to possess her once again because she – yes, that is Julie Faustine, a single, plain woman nearing to the acquisition of stoicism in life – fell into a reverie of perfidious rebelliousness. But let the description of Julie not complacently settle on your a priori premature postulation that she was one of those feckless, mediocre, and nondescript women deprived of what the world could offer to be a woman. Nary a bit. Her inner world was always in a perpetual restive tempest propelling her to sail adrift on her sea of life fraught with existential strains of life, which stunned her venturesome spirit and moored it in the stony stasis of inertia that was killing her softly. She was a hostage to fortune confined in existentialism that did not allow her all the privileges and rights of womanhood and femininity due to a covenant arbitrarily made and entered into by and among her ancestors and an ancient entity prior to her birth.

All this, all this preposterous truth was nothing but a real, physical one that was intractably lodged in Julie’s mind, and it was killing her softly. Nothing would be changed on my own, except the sure case of death, which would be a total force majeur situation. Christopher Malowe’s Dr. Faust was in league with me. And if I physically – and metaphysically – disappear from this earthly place, nothing would change. With such monologue in mind, Julie’s wish was to find herself in netherworld when she woke up in every new morning. No, it’s not pessimism or fatalism, but realism, whether you would agree or not with a sneer. W.H. Auden confirmed it in his poem, “Museum of Beautiful Arts.” Just as all the world’s great and terrible events, such as martyrdoms and nativities, took place amid everyday life, other people continued to do what they had been doing for their own interests. Whether or not you existed would not matter to the continuation of the world.

But as luck would have it, Julie woke up in this world yet again this morning, in this dysphoria of her failed and failing dreams, dwindled and dwindling aspirations, disappointed and disappointing facts, and frustrated and frustrating desires. How shall I die? It’s got be without inscrutable pains and gory details. Painless suicide will be the most cherished and coveted solution to expunge all my baggage. Thus contemplated Julie in her usual serious self. Then came the phantasmal display of the last day of Eva Braun and Adolf Hitler. When Eva and Hitler knew that their ends were impending as the Reich was soon to fall, they hastened to kill their lives together. Hitler chose a pistol, but Eva – being nothing but a woman herself with a reason none other than being a woman – mulled over which method she would employ to murder herself in the least painful but the most feminine fashion. Out of the musing came a method of poisoning herself because it would preserve her pretty face even after death in order that anyone, the Allied or her German volks, finding her corpse would still think she was a pretty being.

This story and image of Eva Braun still imprinted in Julie’s mind and imbued her with the selfsame way of beautifully saying adieu to her pitiful life. Nevertheless, this was never realized or did not seem to be realized at any time soon for some clandestine reasons made by the Fate, or the Fury, or the beautiful goddess Fortuna. And where would God be placed among these pagan elements? He would eventually come and vanquish all in the name of one Omnipotent, Transcendent, and Infallible of All in no time.

So much so that in Julie’s religiously conditioned mannerism of reconciling herself to the limits imposed by the Reality of This World,  the image of God existed as a Bureaucrat aged somewhere between the fifties and seventies with a Victorian-style mustache and gravitas that would sting you to fumble with awkwardness, making you feel like a nincompoop. Julie was not a forceful character, and she would turn herself away from this humiliating embarrassment and would figure things out for herself, even though it meant a series of trials and errors over a long period of time all alone. That was her daring independent spirit. That was her most treasured possession. That was what kept her going against her senses and sensibilities. That was her lifeline and only one.

So it was another morning and the very first morning of a new week into the bargain. Intentionally waking up late in the morning, Julie forced herself to breakfast against her prior determination of foregoing food until she would find employment that would make her earn the bare necessities however little it would pay her. Would this be my home forever? Would I become visible in this new land? Would I start anew in this place? Then Julie’s innermost secret and hidden questions came to surface at last: Could I chance to love? Could a man love me despite my plainness? My paroxysm of moodiness? My humdrum presence? CUT THE CRAP, concluded Julie, for all these supplementary wishes and vain hopes were verbose and verbatim Without A Job. Surely, not all pretty women with jobs – good jobs like professional ones held by the writers of all those popular memoirs bestriding NYT bestseller list for weeks – promenaded with their beaus, but Julie, always angst-ridden and precariously sentient – moped around the whirls of her mental pagoda of melancholy. She could not help making parallels with her life, comparing herself with the illustrious careers of her peers.

The third week of unemployment was hard to bear, and it was daunting to bear even with her renowned stoicism, but her real passionate self defied it, cursed it, and bitched it. Still worse, radio silence following so-called officious interviews was the worst bitch. “Don’t take it personally,” was a bromide, a humbug, hokum out of human kindness, only to be cruel. Of course, it’s PERSONAL, when the parties engaged in the formal occasions were all humans made of blood and flesh, not robotics of steel and wire. That’s an infallible truth, n’est-pas? That’s a res ipsa loquitur case of negligence of truth, no?

All of this in her mind pushed her into the brink of a life’s cliff, leaving her one choice, and the only choice she could resort to: a Mephistophelean pact, it was. Yes, that’s darn right. She resolved to make a pact with the devil, and she was going to do it no matter what, either out of sheer spite against her fate or pure supernatural adventure or innocent curiosity. She’s up for it, and when she was in for the kill, she sure meant it. And it was today she would do it when the frivolous west sun was set, and the shadow of darkness began to cover the horizon in the way the sky god Oruanos covered the earth goddess Gaia to make love to her furtively in the dark.