Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh

Tag: blogs

  • Turkey and Thanksgiving

    This year’s lucky pair of turkeys that received a presidential pardon for not being sent to a slaughterhouse is Chocolate and Chip. The turkey symbolizes American festivity and character distinguished from all other birds of feathers, such as the eagle, the dove, or even the phoenix. So then it’s only natural to find out why the turkey has become the signature bird of the Thanksgiving holiday on Thanksgiving day.


    Benjamin Franklin, the amiable and ingenious American polymath founder, associated a virtue of morality, bravery, and strength with the natural characteristics of the turkey native to the American continent. He proposed that the bird be an emblem of the New Country. While the mystical implication of the bird with the New World has traditionally embodied in the cultural context of the pilgrim’s attributes to the nation’s founding in search of religious freedom from the Old World, the real stories about the American bird encompass the endorsement from the historical figures. George Washington proposed a Thanksgiving in 1789 as a day of “public thanksgiving and prayer,” which was chimed by Alexander Hamilton’s acclimation: “No person should abstain from having turkey on Thanksgiving Day.” But the Thanksgiving tradition began in 1863 when President Lincoln proposed the last Thursday in November as a “day of thanksgiving and praise to Almighty God, the beneficent Creator and Ruler of the Universe.” The regular Thanksgiving dinner menu culminated with one Sarah Joseph Hale, a magazine editor. She wrote Lincoln to urge celebrating the day with roast turkey, savory stuffing, gravy sauce, and pumpkin pie in memory of her beloved New England style of feast staple.

    Patriotic Turkey: Detail from a vintage Thanksgiving greeting card.


    In Europe, the turkey was a poor man’s fanciful feast because it resembled the peacock, a dish fit for the rich. The turkey occupies a dinner table alone as if it could stuff all the hungriest souls for days and nights. I agree with Benjamin Franklin that the turkey is a fit bird to become a bird of national symbol. The eagle may look regal and lofty, but it has no ingenuousness particular to America, which will always be a young country that is still growing and will grow as long as the tradition continues from generation to generation. Happy Thanksgiving.

  • Auto-correction and Titivillus

    Writing has never been easier these days than in the bygone days before the advent of the computer. If you are unsure about how to spell “Tomato,” then the computer will spell it for you by way of auto-correction. And it can even reconstruct your sentences like a pro. The magic is inside the computer, as if it has a mind and even a soul, as it were. This wizardly power of auto-correction can sometimes, however, lead you to an embroglio of nonsense, especially when writing emails or tweeting. Quite devilish, so I think and wonder: are things like auto-correction and the likes a wicked invention of science or science of diabolical existence? Hence, I am talking about Titivillus, the patron demon of scribes.

    The birth of Titivillus could trace back to the 13th century when Franciscan theologian John of Wales pinpointed the malicious demonic trickery for the scriber’s mistakes. That’s not a footless excuse for the faux-pas made in a beautifully ornamented medieval script. In medieval times, copying the passages of the Holy Scripture was a painfully punctilious task for a monk to accomplish with perfect penmanship and exquisite illuminations. And the job cost a good amount of his youth with arched back, squinted eyes, and cramped arms and fingers, not in the least due to the time spent scribing. Toiling (even though for the glory of God) and Rejoicing (for the joy of self-fulfillment), Sorrowing always hoovers over the glories. Titivillus often brings this Sorrowing by making the scriber err in labor, such as misspelling or miscopying. When that happens, a corrector scraped off with a penknife or an acidic solution was applied to loosen the ink. Or sometimes he just made little dots under a wrong word, meaning the reader should ignore that bit. In case of more significant errors, the passages were sometimes lined through, and the correction was written in the margin or copied on a smaller piece of parchment and glued into the book.


    To think of it, Titivillus has not returned to the Ninth Circle of Hell, always making himself a reason to stay as long as humanity continues writing. Writer’s block is a dark cloud hovering over the soul’s palace, the dome of thoughts. Philological carbuncles, including misspellings and awkward syntax, combine the demon’s interruption and the writer’s fear of writing. The fear is more than devilish trickery or neurotic obsession because it stifles creativeness and imagination of the writer. Still, I cannot help but think that today Titivillus manifests himself in the form of auto-correction, which can change the entire meaning of a whole sentence, often most embarrassingly and awkwardly. You agree?

  • The Pope and the Heretic by Michael White

    I first learned about Giordano Bruno through a tweeter thread about Shakespeare discussing his one of many influences, including this Don Quixote-like miscreant Dominican priest who wrote The Art of Memories, the subject I was and still am keen on to improve my regressing memory. Since then, Bruno has resided in my memory chamber as an enigmatic pariah, a formidable rebel without compromise. So when I came across this book by Michael White, a former member of the 80s pop group Thompson Twins, I knew I had to read it.

    White describes Bruno as a martyr of enlightenment, thinking ahead of his time. Unfortunately, Bruno was born into the wrong place at the wrong time, so he suffered from the Catholic Church’s authoritarian rule that dominated the World’s knowledge. However, Bruno’s theory that Jesus was preternaturally a superb magician and therefore not the Son of God, not to mention that the Holy Ghost was the spirit of the World and that Satan would be saved, was sufficient to raise the eyebrows of the ecclesiastical figures. Also, he opined that the stars seen in night skies were actually suns and that there were other worlds in the universe where living beings like humans existed. I speculate such an opinion might have influenced a modern-day belief that we are not alone in this universe because there are extraterrestrial beings. All these ideas were indeed revolutionary. But unlike Galileo, who was said to murmur, “Still, the earth circles round the sun” after he was acquitted of heresy, Bruno was stubborn in his ideas. He proudly defied the Church’s intention to pardon him if he would recant before the death sentence. In his excellent lyrical portrayal of the dramatic confrontation, White sees it as the microscopic representation of the conflict between religion and philosophy, myth and truth, superstition and science.

    Notwithstanding White’s admirable wealth of knowledge used in defense of Bruno, I cannot help but think that White’s stance on Bruno overlooks or connives at some facts. The Catholic Church put him at stake on account of his theological errors, deemed dangerous to the spiritual formation of the Church and the Faithful as a priest to the Church. Bruno was not a willing martyr of his ideas but a Simon Magus-like figure trying to trade his knowledge for recognition in the arms of different sects of Christianity, such as Calvinism, Lutheranism, and Episcopalianism, across Europe.

    It’s an irony that rather than the man written about, the man writing about him turns out to be a genius in writing. Perhaps White, a former musician, attributes this to his lyrical rhythm of narration drawn from his emulous erudition. Moreover, he writes the language of the general reader in the panoply of academic disciplines, and the reader will find no time for disorientation or disinterest. This book carries a tone of what the Italian anti-Catholic activists campaigned against the Church, with Bruno as the symbol of persecution against what they believed in. Nevertheless, it is worth reading it if you are a proponent of Giordanism or just a curious bystander like me.

  • Hounds of Night

    The curtain of the night has drawn. Selene has started her nocturnal promenade with a moon mirror carried on her celestial chariot across the starry highway. Then the earth begins to bellow with great silent roars, trees to dance with leaves rustling in the wind as the chariot is racing, owls to call with their wings flapping, and the hounds howl from the end of the horizon in the glimmering light of the distant stars like lamps flickering in the desolate wilderness amid the haunting sound of Pan’s flute yonder. It’s Hecate’s Time, the Wandering Goddess of Night, appearing from the crossroads with her faithful hounds, heralding the staging of their divine mistress.

    Hecate has often been associated with all things witchery, magic, and death, not in the least due to modern-day Wicca practice identified heavily with the Greek goddess, but there’s more to her. She is a protector of the wrongfully accused, a goddess of retribution against injustice and impurity, and an advocate for underdogs. Perhaps, that’s why her animal is a dog, not a cat, which betrays a common association of the latter with someone like her. (In fact, Artemis is the only goddess whose animals are a cat because she was once transformed into it when chased by a besotted man.) Her hounds all have names: Kynegetis (Leader of Dogs from the Orphic Hymn), Kyneolygmate (Howling like a dog), Kynokephalos (Dog-headed), Kyon Melaina (Black Dog), Philoskylax (Lover of Dogs), Skylakitin (Lady of the Dogs). Of all the hounds, Kyon Melnia, aka Black Dog, used to be the wife of the last Trojan King Priam named Hekabe, who threw herself into the sea after the collapse of Troy by the Greeks. Hecate took pity on the queen and transformed her into a great black dog that became her familiar. What a manifestation of divine mercy it was.


    It is said that dogs and cats see the spirits of the dead, especially at night. If you have heard a dog howling, another howl, then another, and so forth, as if all of them sing in a canine polyphonic coda. When Hecate’s hounds howl, mortal dogs respond to their divine canine entity as the goddess and her entourage pass by. The hounds also bring victuals offered to Hecate to their mistress at a cemetery where she partakes her daily victuals. So if you think it’s just an ancient myth, listen carefully when your dog or any dog within your earshot howls. It’s either it sees a spirit or Hecate and her nine hounds. For me, well, I have a tabby cat named Toro, and he sees it and them but won’t participate in the chorus because he has her mistress at home.

  • as if it were a dream

    My heart is longing
    Though my mind is confused.
    My soul is tired of sighing,
    My spirit is revolted,
    Time flows rapidly,
    Woes disappear slowly,
    I’m tired of repining,
    Will the universe conspire
    To reset it all anew
    As if all of this were a dream
    In the likeness of truth?

  • Dying today

    For all this time beneath this visiting moon,
    Where treasure is, my heart has not been at it
    with the lights of the lamp glowing in the gloom.
    But now I see the voracious time
    devour the kingdom of the shore,
    And the solid earth rule over the liquid main,
    Increasing store with loss and loss with store;
    When I see such vicissitudes of state,
    Or fate itself repeated over and over;
    Splashes of battle have taught me to ruminate
    That nothing stays the same to remain forever
    And I can’t depend on anything that changes.
    This thought is a truth that hope chooses
    And in the dying moments of today, fears I lose.