Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh

Tag: book review

  • ‘Conan Doyle for the Defense’ by Margalit Fox- Book Review

    Conan Doyle for the Defense: The True Story of a Sensational British Murder, a Quest for Justice, and the World’s Most Famous Detective Writer by Margalit Fox

    My rating: 4 of 5 stars


    Sometimes, life is stranger than fiction, imitating art, and vice versa. Picture this. A man on losing streaks decides his last bet on life in the New World. But, instead, he finds on arrival himself surrounded by the grim-faced henchmen of law with the gray eyes scanning the debonair foreigner’s appearance, measuring his moral value, judging his life at face value. The compass of Goddess Fortuna’s Wheel indicates the downfall of Oscar Slater in the direction of HM Prison Peterhead in Scotland. But, even though fortune’s malice has thrown Slater overboard, it certainly has not deprived him of a lifeboat in the person of Sir Arthur Conan Doyle.

    The case of Oscar Slater is often dubbed a sensational Edwardian murder mystery characterized by a scandalous wrongful conviction by the stupendousness of a miscarriage of justice in the history of any subject related from social justice to penal system, from police investigation procedures to forensic science. It follows from a death of a wealthy elderly woman brutally assaulted in her Glasgow home in 1908 when the Victorian prejudice against poor immigrants and foreigners, especially Jewish extraction, was PC all over on the isles. Slater being a secular German Jew with dark eyes and hair contrasted with the fairness of angelic British blonde, the blue-eyed ideal figure was the poster man of a criminal among the police and became their convenient suspect without due diligence and beyond a reasonable doubt. The Scottish police applied none of the evidentiary truth to the Slater case. On the contrary, they projected all of prejudice and complacency into the person of Slater, who was a sort of likable roguish streetwise swinger whose attractive suaveness and sleekness are reminded of Puck in a Midsummer Night’s Dream. But Arthur Conan Doyle s helped Slater set free after twenty years of hard labor at the prison for the crime he had not committed. Suppose a true writer sees the world’s corruption at its heart and stands furious with people instead of grandstanding with rants and slurs. In that case, Conan Doyle stands along with Voltaire, George Orwell, Ralph Waldo Emerson, and Henry Wadsworth Longfellow in the pantheon of the great writers who lived in the crowd of life.

    Although Conan Doyle himself could not entirely be free from the conventional preconception about lower-class foreign immigrants and the jews, his integrity and charity exceeded the flaws. They changed the fate of the wrongly convicted man, which should be highly esteemed for universal recognition of all times. In the particular alchemy of literature as connecting the reader to the universal empathy, Doyle’s support of Slater’s innocence seems particularly conspicuous in the current humanitarian crisis in Afghanistan. The British general whose Toyota Jeep took up the already limited space could have held more Afghan evacuees in an airplane. Also, the former British Royal Marine chose to take 200 dogs and cats from the shelter with him over his Afghan workers and their families. But that’s not the end. The former Afghan employees of the British Embassy in Kabul are still clinging onto a thin ring of hope that their British ambassador boss for whom they had worked even during the Covid-19 pandemic scare would come to rescue. Would there be another Arthur Conan Doyle who would act on his principle of morality in the spirit of humanity who regard the lives of the oppressed Afghans as equally valuable as their own or similar kinds- that is, white and Christians?

    My reference of Doyle’s involvement in the Slater case to current Afghanistan and refugee situations may seem a bit of a stretch with over-flowing maudlin sentimentalism. But I think Doyle’s determination to help Slater cause following the case of George Edalji, another miscarriage of justice based on racial discrimination, stems from his good natural good-heartedness aided by the brilliant mind searching for truth. It is a triumph of good over evil in the semblance of law and order. Unfortunately, I have a hard time finding a famous writer or poet who actively puts thinking into action, just as Doyle, Voltaire, Dickens, and Sand, whose brilliance of the minds resembled the magnificence of the Sun benefitting the life on earth. Where are such great writers now?



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  • ‘My Girl, Fiona: A Collection of Essays’ by Denise Gwen

    My Girl, Fiona: A Collection of Essays by Denise Gwen

    My rating: 4 of 5 stars


    Sometimes we see ourselves in animals – here I mean the mammals, especially — and relate our mental images to them, whether they are pets living under the same roofs or wild ones in nature or zoos. That is why animals are apropos mediums to project our mirror images into their figures without exposing our naked selves outright. And that is what Denise Gwen does in her elegantly poignant collection of essays My Girl, Fiona.

    Fiona is a hippopotamus the author adopted emotionally from her struggling birth into the world at Cincinnati Zoo. Abandoned by her enormous mother, the vulnerable yet adorable baby Fiona chimed the emotional bell of the author on the octaves of her family. Fiona, the name of Gaelic origin, provokes the image of a vivacious fairy whose feistiness and resilience elements make her all the more mysterious and, not to mention, beautiful. But the beauty is uncommon and only kind, which strikes Edgar Allan Poe’s wise dictum that “There is no exquisite beauty without strangeness in proportions.” Then the adorable hippo Fiona becomes a kaleidoscope of images of women, representing the Exquisite Beauty Tribe. It consists of her youngest sister, whose name is also Fiona, her feisty Welsh late mother, and herself in midlife crisis blotted with sentimental reminiscences. Added to this tribe is Shrek’s wife is Princess Fiona. Her transformation from conventional slender beauty to a green-colored ogre-like her beloved hubby is a guest of honor in the Fiona Parthenon. One way or another, they all share the beauty marks of uniqueness, confidence, and self-esteem as the author brings them into life in the alchemy of words, brewing the images into a fascinating pastiche of the Fair Fiona.

    Animal stories charged with human emotions may well turn to the art of anthropomorphism in which animals speak like us with accents varied from Brooklyn to Los Angeles. But the author nuances the overtly human sentimentality in her narratives lest they should become schmaltz through Fiona, the lovely hippo. Also, the way she narrates with an elegantly apt choice of words and poignantly witty expressions is reminiscent of the British writing style I am familiar with. In fact, before finishing the book, I suspected her of being British for the reasons mentioned above. Consequently, I wasn’t miles away from the speculation because her mother was a proud Welsh who remained Welsh in her spirit and language during her lifetime. My Girl, Fiona is a thoughtful and heartful memoir disguised as short fiction apart from egotistical meanderings, which many celebrities nowadays indulge in stories that lack universal empathy. It is also a compact book you can read without leaps of attention and boredom in your spare time.



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  • All for the best: a tale of ‘Candide,’ by Voltaire – book review

    Candide by Voltaire

    My rating: 5 of 5 stars

    Candide is a touchy-feely whimsical story about the absurdities of optimism against realism in a delightfully witty guise of romantic adventure fiction. An entertaining satire that is both intelligent and humorous at best, it is a collective coming-of-age story of a man whose anfractuous life passages enlighten him of the reality of life and the world.

    As the novella’s title betokens, the protagonist Candide grows from a naïve young man sheltered in the Edenic castle of privilege and prestige in the protégé of philosopher Pangloss. Pangloss indoctrinates in Candide Leibnizian optimism, which posits that all is best for the best of all possible worlds. Candide’s expulsion from the castle because he was fascinated with his uncle’s beautiful daughter Cunegonde marks his journey toward the truth to the purpose of his suffering and what it means in life. Doctor Pangloss, a parody of collective complacent philosophers, keeps telling him that it is God’s will and that his life change is a manifestation of immanence, an intellectual belief in God’s presence in the world concreted by Spinoza. He preaches a pre-established harmony in the world because it is already the best in its most perfect form. Pangloss is an abstract philosophy and institutional religion incarnate in his glorious scholastic appellation and unyielding intellectual pride that refuses to recognize truth.

    The adventure of Candide is similar to that of Gulliver in his travels to unknown worlds in Jonathan Swift’s Gulliver’s Travels. Gulliver is a ship’s surgeon full of ideals shaped by established a priori schools of thought until he encounters wondrous creatures in mysterious lands, all exhibiting the best and worst human characters manifested in their appearances. Swift wrote Gulliver’s Travels to criticize the ills of society’s need for reformation as one of England’s leading literary figures with social consciousness. Swift was also one of whom lent a kind hand to Voltaire when he stayed in England to avoid the growing fury of France’s church authority. Volatile Voltaire was known for capricious terms with his literary peers, but his admiration of Swift’s work and him as a brilliant satirist remained loyal. Voltaire’s Candide is more straightforward and realistic, sans mysteriously curious creatures of a wide arc of imagination. However, both Candide and Gulliver share the same thematic elements of parodying the hypocrisies of religious doctrines, and human nature laid bare in the style of chivalric adventure fiction.

    The story is a carnival of characters united by deceptive fallacies, chased by untenable ideals, tangled by insatiable desires, obstructed by variants of life, and succumbed to deceptive pleasures. Nonetheless, one can’t weigh the misfortunes of humans and set a just estimate on their sorrows just as Pangloss deigns to aver, for humanity is imperfect in the imperfect world. Therefore we must strive to make it better for the common good of society as best as we can. Voltaire dreams of a new community with callous palms of laborers conversant with more delicate tissues of resilience, self-respect, and heroism in real life, whose touch thrills the spirit in the most exhilarating way than the idle hands of thinkers and priests. By writing Candide, he creates a society of people who sailed through the vicissitudes of life in the triumph of epistemological a posteriori truth over ontological a priori precepts.

    Candide is surprisingly easy to read and wastes no time for boredom. Voltaire himself was a man of no-nonsense whose simple but effective use of words is reminiscent of Hemingway and Stephen Crane, who were titans of literary realism. John Milton’s metaphysical poem Paradise Lost rang hallow in its abstruse display of classical knowledge. Homer and Dante lost their luster in the words that people did not use any longer. An authentic intellectual lives among people and puts his learning into action for the good of people. Candide is an excellent company to console your weary spirit and sorrowful heart if you are tired of eternal optimism and forceful positive thinking that has become a still fashionable mass mantra.



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  • John Dee, Queen Elizabeth’s Gandalf who designed 007 – book review

    John Dee: The Life and Legacy of the English Occultist, Alchemist, and Philosopher Who Became Queen Elizabeth I’s Spiritual Advisor by Charles River Editors

    My rating: 5 of 5 stars


    Ben Jonson’s alchemist Subtle in his famous Elizabethan play ‘The Alchemist’ is a knave quack intent upon doing a lucrative occult business by luring the gullible, rich or poor, learned or general. But John Dee, Queen Elizabeth I’s English-Welsh astrologer, was anything but. He was a highly educated man graduating from Cambridge University with a penchant for esoteric knowledge beyond the realm of the physical world, and brilliant engineering feat contributed to his epithet as the queen’s occultist to the eyes of those who regarded him as something of Rasputin in the queen’s retinue. To me, Dee was a curious figure of science and magic, fact and mystery dissolving into one another.

    From the cradle to the grave, John Dee’s life appears to be starlit with mystical numbers and stars that govern his destiny to pursue the knowledge of the beyond. Born in the household of a well-to-do textile merchant on July 13th, 1527, Dee’s fate was already revealed in the combination of the lucky number 7 and the ominous 13. He was endowed with intellect and heart, which is not typical for an astute scholar with a high education degree. Also, an ingenious engineer in stage productions of plays, Dee created the modern-day equivalent of special effects employing a man-powered crane and other apparatuses used as a counterweight fly system. He was fascinated with the science behind mathematics and used it to know astrology and celestial navigation in understanding human lives. He chose the coronation date for Elizabeth when Jupiter juxtaposed alone with Venus, opposing Saturn, and conjecturing Mars. The astrological interpretation betrays the virgin queen’s reign with the beauty of the goddesses and the power of the god of gods. Methinks, Dee’s interpretation must have attributed to the queen’s famous Tilbury Address in which she described herself as possessing “the body of a weak, feeble woman but the heart and stomach of a king.” Furthermore, the famous secret code of “007” was an invention of Dee used between Dee and the queen meaning “For your eyes only” as in “00” as a symbol of eyes and “7” Dee’s favorite lucky number.

    Dee had a bona fide intention to use his knowledge to benefit people of all classes. During his post as royal astrologer under Queen Mary’s reign, Dee proposed to the queen that she establish a national library accessible to all for the universal education of the minds. This revolutionary idea was unprecedented and rejected. Dee was a man of books and used his learning from reading for the welfare of England. He propelled England into the Age of Exploration. He legitimized the British expansion of territories, including America, to which, according to Dee’s certification, a Welsh prince sailed in 1170, which was three centuries before Columbus’ voyage. Patriotic stargazer elucidated further that it was Grate Britain’s destiny to gain all of the territories supposedly appropriated by King Arthur by coining the term “The British Empire.”

    After the death of his beloved Queen Elizabeth, Dee dwindled in his career and fell into obscurity, not least because he lost favor with the successor King James I, the scourge of god against witchcraft and magic as deviltry. We don’t know whether he was secretly in league with the devil in his once magnificent personal library. The opinions on John Dee are still debatable, if not controversial. Some might say he was a would-be Merlin or Gandalf. Some might call him a Rasputin who tricked the virgin queen into believing superstitions with his mephistophelean pact for the souls to populate the circles of hell. I want to say Dee was akin to Atlas, one of the Titans who was also fascinated with astrology and astronomy and generous with munificent generosity in the form of divine fire to mortals, for which he was condemned to bear the weight of the celestial globe.



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  • Voltaire, the moral rebel – book review

    Voltaire: A Life from Beginning to End by Hourly History

    My rating: 5 of 5 stars


    The role of intellectuals is to see the corrupt at the heart of society and stand furious with the mass and constantly monitor the conditions of ill-effects and actively work on the improvement of living conditions. For books can never teach the use of books. Otherwise, they are no more than armchair academics complacent with their impressive scholastic achievements and high social esteem as elites of society, proudly distanced themselves from the general. But Voltaire wasn’t, nor was he a demagogic writer grandstanding with the ire of the have-nots.

    Born as Francois-Marie Arouet on November 21, 1694, when the discovery of the New World and religious turmoil swept Europe, Voltaire was destined to become a cavalier of new thoughts, the Enlightenment of Thoughts, which the Catholic Church regarded as a dangerous school of ideas to the mass. Yet, Voltaire wasn’t hell-bent on destroying the Catholic Church as a freemason but pilloried the corruption of the ecclesiastical members and the duplicities of their teachings and acts in practice. Religion is also a social institution made and governed by people and therefore subject to corruption and dysfunction. Before the French Revolution, the Catholic Church controlled people’s ways of thinking and exerted its authority over political and cultural spheres. That was why Voltaire’s lifelong resistance against the Catholic Church arose, not from blindly malicious intention to sabotage belief of the religion.

    Voltaire was very human with his volatile temper but also with passionate munificence. He was fluent in English and his years of stay in England, the country he regarded as a model country of liberty of thoughts and religions. During his visit, he met John Locke, Jonathan Swift, and Alexander Pope, to whom Voltaire was said to be very rude for reasons clandestine. Methinks that for a person as at once passionate and sensitive as Voltaire, the anecdotal vignette sounds true, but who can blame him for his temper and let it eclipse his wholesale brilliance as an unbridled thinker and writer unafraid of speaking against the social injustice against the unprivileged? Rousseau, a fellow freethinker, abandoned his child at an orphanage and berated the illiterate. Isaac Newton, whom Voltaire respected for his scientific findings and logical mind, mistreated his servants with whacks and beatings. But, on the contrary, Voltaire paid off all the tax debts of his tenants on his properties. Also, he published ‘Candide,’ which is an allegorical book about the absurdities of the teachings of the Church and a man’s search for a God in this world, in 1759 at a meager price accessible to poor readers yearning for a taste of Enlightenment.

    The absence of God’s presence in the deeds of the clergy and religious people and the presence of injustice in the name of elusive God were the questions Voltaire had in mind, and yet he wasn’t blasphemous about the God they believed. On the contrary, Voltaire’s belief was ecumenical in the principle of syncretism founded on a universal belief system according to Natural Law, a conscience. He was liberal in ideas but responsible in acts by accommodating his knowledge to practice for ordinary life. Samuel Johnson’s definition of an imperiously sullen scholar who loses his days in unsocial silence and lives in the crowd of life without a companion was the opposite of Voltaire. Indeed, Voltaire had no morals, yet he was a very moral person for sure.



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  • ‘Forgotten Peoples of the Ancient World’, by Philip Matyszak

    Forgotten Peoples of the Ancient World by Philip Matyszak

    My rating: 5 of 5 stars


    Forty years on our evolutionary scale amounts to a microsecond on our twenty-four biological clock. The millennium years, even Before Christ, feel so alienly anachronistic from our modern sensibility. The sense of time builds upon a fundamental element of consciousness as molded into a collective emotional experience as contemporary citizens of the world, just as the peoples of the misty pasts we tend to overlook felt the same for the civilizations before them. They were the titans of the pre-ancient Egyptian, Greek, and Roman cultures. They, like the evening sun in its full declination, vanished in the hazy horizons of the time, still dazzling with its scarlet hues of radiating halo lingering on the remnants of human civilization to this date.

    Forgotten peoples of the Ancient World is an anthology of the peoples whose feeling of permanence and importance in their time of the world betrayed their fates buried in the tires of cities beneath the earth and returned to the dust in the winds. To illustrate, Akkadians were the first builders of the empire who elevated the Akkadian language to the cultural and political lingua franca of the late Bronze Age. The Hyksos were outstanding charioteers, and their military prowess benefitted their Egyptian subjects. The Bactrian culture was a delightful mixture of Greek and Indian heritages, while the Vandals gave a final, fatal blow to the already destabilized Roman Empire. These peoples affected the celebrity civilizations we are automatically associated with the ancient civilizations. As to why the forgotten peoples became peripheral in our realm of ancient history, it is a question of the immanence of the supreme being in the universe. However, what is certain is that they were the torch-bearers of the first civilizations passing the torch of society they had ignited and encouraged to the next in a relay run of collective humanity.

    The book is an excellent anthology of these ancient peoples in chronological order from east to west, showing how civilizations expanded from the cradle across the plains, mountains, deserts, and seas to the Isles of Britons. Divided into the eras marking the epochal changes of history, Matyszak succinctly elucidates the peoples of the misty past with his trademark witty ways of describing historical contexts. Moreover, the exciting historical trivia resurrects the eras in a phantasmagorical display of faces and places.

    To conclude, the stories about the forgotten peoples attest to the objectivity of truth applicable to any time of history that that which is here was there, has been, and will be. All things must pass, and there is nothing new under the sun. Our sense of time and culture is a likeness of truth, a matrix-like reality, because our facility is rather instinctive than reasoning, rather physical than metaphysical. Who would have known that people 100 years later now would think our time and us in this time anachronistic and antediluvian? Herodotus felt the same when he arrived in Egypt and saw the wondrous pyramids in awe that the people before his generations had built. So did the Babylonian king, who dug and discovered artifacts from centuries ago. We have seen the hungry ocean gain advantage of the kingdom of the shore, and the firm soil win of the watery main, increase with loss and loss with increase. The forgotten peoples and we are time’s subjects, and time bids are gone.



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