Howl’s Moving Castle by Diana Wynne Jones
My rating: 5 of 5 stars
Whether it is for the pursuit of artistic aestheticism or indulgence in sheer egoism, writers tell their stories in books where, in the peculiar alchemy of words dipped in imagination, they blend the real with the ideal. That said, Diana Wynne Jones’s Howl’s Moving Castle is a beautiful world of magic and witcraft that cast a spell on the gloomy reality to make it a gorgeous fantasy.
A melancholy of vertiginous existential crisis in a life fraught with responsibilities and duties morphs into a fantastic narrative of the imaginary world where magic, wizards, witches, and demons mingle with ordinary people and even fall in love with them like those of Olympus gods with mortals until Hesiod’s Heroic Age. Sophie Hatter, the book’s heroine, is Jones’s alter ego, only younger in age and freer in status. Still, everything else about her is Jones herself, most prominently her being the eldest child responsible for all things adult – by alas, birthright. Sophie’s self-analysis of being the oldest for the principal cause of misfortune applies to Jones’s family background, being the oldest of three sisters just as Sophie is for Martha and Lattie. I remember reading elsewhere that at the time of writing this book, Jones was going through the crisis in adulthood: a sickly husband, live-in mother-in-law, friends in need, children to take care of, etc. Despite Jones’s degree in English Literature from Oxford University, she felt injustice for her talent and mind eroding in the seemingly endless Sisyphean maneuvering of rolling up a daily boulder. So she took a pen to paper and wrote the book to spur her reservoir of existential frustrations on writing her story in the guise of fiction.
However, after the book’s success, Jones withstood from telling it a reflection of her inner world. She referred it to a certain boy who wanted to create a moving castle. Although the integrity of the inspiration belongs to the author’s literary license, Jones appeared to be reluctant to admit that she told her story in the book due to her celebrity. On a personal note, I could understand her volition to employ a more lovely pretext in safely hiding her existential frustration in privacy. Still, the book’s background written at the time of a crisis of adulthood puts together tesserae in a fanciful puzzler. The agency of magical elements in the story enables Jones to free herself from the mental inhibitions to depict the world’s realism, which seems too dreary and drab, gloomy and harsh, for the reader to be burdened with the author’s frustrations. Instead, Jones created the world populated with witches and wizards not looking like creepy worshippers of the devil and a fire demon far from being diabolic. All the menageries of wondrous characters neutralize the pathos of Sophie.
I read the book with a kindred spirit of being the firstborn child in the family, so it was a pleasure to know that I was not the only person who felt burdened with family and others’ cares. Witch of Waste’s turning Sophie into a ninety-year-old spinster adumbrates Jones’ feeling of oldness in her soul that affects her appearance due to her continuously solitary labor of care. Yet, Jones is kind to Sophie with the eccentric but wonderful Howl and other helpful characters, including Calcifer, a fire demon, all of whom recognize Sophie’s worth and beauty of heart with respect and care that she deserves so much. Jones does a fabulous job of transforming a vehement narrative of angst as an adult in the real-world into a fairytale of love and luck, where those who feel burdened with the weight of life will be awarded fabulous surprise long overdue.
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Tag: book review
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‘Howl’s Moving Castle’, by Diana Wynne Jones – review
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Who discovered America?
The question of “Who discovered America?” lends itself to enlightening trivia pastime, spawning a series of plausible answers. Leif Eriksson and Christopher Columbus contend the discoverer’s title, possibly followed by Walter Raleigh and Francis Drake, except one John Cabot whose name is lost with his ship somewhere in the Atlantic Ocean just as his mysterious disappearance during the final voyage.
Giovanni Caboto, aka John Cabot, was a 15th-century Venetian maritime merchant, emigrating with his family to Tudor England in search of substantial royal sponsorship for his ambitious Far East expeditions. The age of expedition was imbued with the spirit of enterprise that propelled colonialism. England was no exception to the European competition. Spain and Portugal were the contenders for uncharted lands and undreamed waterways discovered by Christopher Columbus, Casco de Gamma, and Fernando Magellan. Cabot promised Henry VII that he would find the ways to the Shangri-La in honor of the land to the king with portions of profit for the homage. The king granted his royal patronage on the expedition in the hope of establishing a British mercantile empire around the world. After two misfortunate voyages, Cabot finally made it to what is now known as America in 1497 and called it “New Found Land.”
However, unlike his contemporary peers whose deaths are recorded either orally or textually, Cabot’s end as an explorer is undeservingly clandestine and amorphous. It is said that Cabot was a victim of mutiny among the seamen on his ship or that he settled in the New Found Land and died there. What is more confounding than the mystery of Cabot’s whereabout is the seemingly less recognizance of his achievement than that of the rival explorers of his time and posterity. Cabot was the first explorer who paved the transatlantic waterways between America and Europe, principally the British Isles, for the progeny.
Indeed, Columbus found the West Indies and the American continent by happenstance. Still, Cabot proved that rapid Atlantic travel was possible by sailing the west through the ocean, more substantially practical and influential than America’s ideologically symbolic discovery by Eriksson and Columbus. Would Cabot’s discovery of America under Henry VII’s banner be an issue for the recognizance of his achievement for independent minds of Americans liberated from the English sovereignty? Or, to put more blatantly, would the English royal sponsorship of Italian native Cabot’s exploration mar the spirit of American liberty? If England were still a Catholic country, would Cabot’s achievement have been of lesser brilliancy than those of his contemporary explorers? The questions of history require answers, but often they remain unheard and trail off in the wind of zeitgeist. -
Roger Ebert’s Cinema Paradiso
A critic, according to Abraham Lincoln, has a right to criticize, but has a heart to help. Being a critic requires erudition drown upon a wealth of reading combined with a natural sagacity grown from enriched humanity wielded into an alchemy of words. A good critic with a poet’s heart guides the public with a lantern lighting the artist’s labyrinth in his world and helps us see the unseen in the far corner of a maze with a wealth of knowledge, sans arrogance of intelligence as Roger Ebert.
Unlike his other contemporary peers, Ebert was liberal in views, conservative in beliefs, and fair in judgments, the commendable attributes shared by Samuel Johnson, a 17 century English social/cultural critic, essayist, and dictionarian. He wrote a public in his mind and showed no peremptory atmosphere typically attributable to influential critics showing off their mastery of language not accessible to all due to their expensive private high education. Once Ebert trenchantly criticized a specific movie for its crude violence, abject dystopian portrayal of reality, and shuddering absence of humanity. The director of the film remonstrated with him in a public letter that Ebert’s criticism ignored the fact of life, which is akin to earthly circles of hell. Ebert replied to the director that if that was how he looked at the world, then it should not be forced upon the audience’s minds, exerting his raw and one-dimensional creation of reality upon the sentiments and judgments of the audience. Ebert believed that the world was worth living because there’s hope among the odds to sparkle before our eyes with joy flitting at our sides. This belief should be an essence of Arts that gives off beauty, pleasing to our senses that grows into reason. That is the purpose of arts, to which film belongs.
For this reason and my kindred perspectives on films in general, I miss Roger Ebert, although his writings are perennial. He didn’t grandstand with politically charged views on movies. He believed ‘Art is for Art’s Sake’ because films and books and paintings are not to be used as propagandas for a specific party ideology but to be appreciated for the minds’ food. W.H Auden said of his duty as a poet in society was to defend the use of language. I think Roger Ebert as a film critic in society was to defend the use of film as art to give life a shape.
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Around the World in 72 Days
The masts were solemnly lowered as the anchor was triumphantly docked in at a Hoboken harbor in New Jersey. Then there appeared a young woman with eyes of brilliance that glowed with joy and alacrity of departure from her race against the time. One hundred thirty-one years ago today was when one steely journalist named Nellie Bly broke the boundary of imagination and reality by completing her round-the-world race in 72 days at New Jersey. Bly’s phenomenal record was indeed transcendent of the realm of fictitious reality where Phileas Fogg, Jules Verne’s creation of gentleman adventurer, finished his globe-trotting in 80 days. The world record was not only a sensational media headline in her time but also a glowing manifestation of grit, resilience, and the power of the mind that Bly demonstrated on herself as a woman.
Born Elizabeth Jane Cochran in 1864 in a small Pennsylvania mill town, Nellie Bly was her catchy nom de plume for the literary world, where she became successful. She was something of a frontier pioneer woman in investigative journalism and adventuring into unpathed areas of news reporting of the Dickensian world of crime and health bureaucracy, notably of the asylum at Blackwell’s Island in New York where she infiltrated as an undercover. However, a panoply of her achievements backfired when her pent-up yearning for holidays on a different shore agreed to a spectacular proposal by Joseph Pulitzer, the New York World owner, of the ingenious race-round-the world against the time. Bly’s decision to embark on the one-of-kind adventure was an apropos admixture of personal yearning to get away from the weight of reality and the publisher’s entrepreneurial aim to proliferate circulations.
So there off, she embarked on the race with a trunk containing hygiene necessities, a few wardrobes, and some books to read, but without any weapon, not least because of her belief: “If you smile at the world, the world will smile at you.” She sailed across the Atlantic Ocean from New York, through Europe, the Arabian Sea, and the Far East, and then back across the Pacific to return to the homeland. During the voyage from Hong Kong to Japan, Bly heard that another contender emerged from the oceans’ edges: twenty-eight years old Elizabeth Bisland, the literary editor of Cosmopolitan, a rival publication of The New York World. Always achieving, always forwarding, Bly hastened to complete her race guarded by the goddess of fortune and blessed by Jules Verne, whom she met during the race in Europe and was able to trounce her rival journalist arriving five days earlier and Philias Fogg eight days.
Bly was a supreme one of a kind, not most because she was a woman reporter who was some rarity. Instead, she was a person of indomitable determination, commendable work ethic, and insatiable curiosity, which were coveted attributes even to men of high aspiration. Bly demonstrated the Nietzschean will to power in her achievement by the epiphany of the noble soul to create capabilities to make the idea into an incredible and remarkable reality in the chapter of humankind’s history. Herodotus would have loved to record it. -
the face of daffodil
And the daffodil looks lovely today,
the golden blossom of happy hope
sparkling vivaciously in such beauty
that is not vanity but full of agape.
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Hunter
He wondered as a lonely hunter
who chased after the North Star
Fluttering in the flickering twilight,
vanishing in the pale hues of sunlight,
with a twinkle in the hunter’s eyes.
Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh 
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