
Larry: I wonder what age we are currently in.
Horatio: How do you mean? You sound like a peripatetic thinker like Aristotle.
Larry: I mean the age according to Hesiod, the father of western narrative history. The name may sound Greek to you, my dear friend.
Horatio: So, you think I am a philistine because of my patently plebian appearance and mercantile profession? I take false shadows for true substances, buddy. I have read about Five Ages of Man according to Hesiod and can tell you that we are in Iron age to which Hesiod himself also belonged. In this age, we human beings must toil away for livelihood, get old quickly, are besotted by troubles and more troubles under constant stress and pressure. In fact, it’s not our mortals’ faults but those Olympians who continued a cycle of creation and destruction of a human race on their whims and caprice in epicycle. In the first place, Zeus and his ilk drove away the benevolent race of the golden age after Titanomarchy, a ten year war against Titans, then began a recycle of the races for the silver, bronze, heroic and iron afterwards because they did not like what they saw in the races on the grounds of morality and maturity. It’s like the Olympians regarded us humans as a sort of puppets or marionettes. Or they are playing chess of our destiny with our beings used as pieces to be moved on a chess board. Yes, we live in the iron age, but I reject the idea that we are all living in a doomed scenario because we human beings have amazing intelligence with its general multipurpose learning strategies to triumph against the outrageous Olympian pandemonium. So, my friend, fear not. Boldness be our friends. For as Shakespeare encourages us that “true hope is swift, and files with swallow’s wings.”
Larry: My dear friend, Horatio. Thank you for your sagacious thinking and brilliant advice on humanity. And let’s just say that for all what’s worth, mankind has resilience to spring back from the ashes of destruction with its fortitude and instinct for survival. It’s our human nature. And let us also remind ourselves of the dictum of Hemingway: “Man can be destroyed but not be conquered.”



So, you see it isn’t a symptom of conspicuous consumption as a result of our hyper industrialized social environment that Matilda and Seraphina like pampering themselves with cosmetics. Besides, who can blame them for having none other than a woman’s reason? Didn’t Queen Elizabeth also proclaim herself to have a lion’s heart in a woman’s hide? Also, did the Queen not show fierce attention to fairness herself by putting the most fashionable make-up and dresses and hairstyles of her time? Well, these modern ladies are no less different them from their loyal member of sisterhood in the race of Humankind. In fact, Matilda and Seraphina have aristocratic bearings in appearance and manners due to their fine upbringing and sweetness of the mind by nature, so whenever they go, they give admirable impressions on people whom they encounter. They are the paragon of a virtuous woman as John Milton extolled in Paradise Lost: “Those graceful act, those thousand decencies that flow from all her actions and words.”

The witching hour was nearing to cast its spell on the night under the aegis of Artemis, the goddess of the moon, and the passengers on the last train to East Ventura were inwardly invoking the power of Patience for a high hope for a low heaven – they all just wanted to go home after a hard day’s work, and no more. These aggregates were all bound by the same fate of being held up as hostages to the less practical and more unnecessary delay due to their inapt handling of one unruly passenger on board at Moorpark Station. The force of one unruly passenger carried the aggregates over the edge of their collectively simulated sanity and suspended their precious time to be spent at home. This nightly act of daily drama in the life of a commuter was in fact a repertory regularly put on stage by a company entitled Metrolink. It was performed yet again last night for an hour. Without Applauds, of course.
Josephine Baker was surely more than just a pretty dancer who thrived on her exotic charms and wild popularity from her adoring admirers; she had the guts to talk back to the authority that ignored her presence, the voice to speak out against injustice, the pride of who she was and the will to fulfill her meaning of life despite her hardships. And she did all of this with a graceful choreography of decencies and humanity in style.
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