The devil came upon a poor miller In exchange for wealth with luster And wanted his daughter’s hands Though it pained her in blood and tears.
Now the girl without hands wandered off Day and night with her tears washing off The pain she suffered from the promise Her father made with the devil for riches.
The girl without hands came upon a garden Where Tree of Fruits of Grace seemed to beckon with the susurrus of leaves coaxing her And she saw a besotted king approaching her.
The girl without hands became a queen But the devil returned with a scheme To kill her and her son for their pure souls As bounty for his region against angels.
The girl without hands fled with her son Deep into a forest where seven years began Until the king found them in Angel’s Hut And the girl with no hands was no more.
The delicacy of life that sprinkles flavors to our otherwise mundane routine of everyday life is not a prerogative of the rich. American Catholic saint Dorothy Day once gave a diamond ring donated by a wealthy woman to a poor demented old lady and riposted to a chiding onlooker thus: “Do you suppose that God created diamonds only for the rich?” In this light of democratizing luxuries, Chef Marie-Antoine Careme championed the world of haute cuisine available to all walks of life and shared his knowledge and experience of Haute culinary arts for the use and enjoyment of the public.
Born into a poverty-stricken peasant family in 1784, Crame was abandoned at ten by his father, who told him to make use of his cleverness for his future. Before long, Careme found an apprenticeship to a famous patisserie. That was the beginning of his long, epoch-making legacy of master patisserie. With an innate intelligence and passion for culinary art, he opened his patisserie within a couple of years. His ingenuity for culinary art and a happy chance led him to a top diplomat’s chef to cook diplomatic banquets, for which he became the most sought-after chef in Paris. The success catapulted him to opening a famous patisserie at 19 on the rue de la Paix, baking the wedding cake for Napoleon and Marie-Louise of Austria. If Napoleon conjures up an image of a scrumptiously layered piece of Napoleon, Careme is smiling in a constellation of artists in heaven. Careme’s popularity endowed him with a celebrity figure in post-revolution, industrial age Europe where the luminary la dolce vita aristocrats commandeered was beginning to shine on those on the low rungs of social ladders. Careme might have been an ambitious entrepreneur to mark his name all over Europe with the crowning glory of lucrative success, but no one else but he tried to share the taste with the crowd indiscriminating class distinctions in his time.
Careme’s success story has a familiar rags-to-riches repertoire with a combination of chance and apposite time surrounding his rise to success interacting with his talents. But why not the taste of the fame when his triumph of will over strife inspires achievable hopes and approachable aspirations? Careme personifies overcoming the mantra of existentialism that experience precedes essence. The fact that his own indigent family abandoned Careme didn’t dispirit his connatural intelligence nor did it plunge him into a Slough of Despondency. Or that didn’t really matter to Careme with his eyes, nose, and hands tuned for the world of delicacy that used to be exclusive for the rich and whose heart made it accessible to all. Indeed, the man was not a saint, nor do I intend to canonize him. But at least his actions and legacy deserve appreciation and admiration adorned with flowers and bonbons.
Sometimes, life is stranger than fiction, imitating art, and vice versa. Picture this. A man on losing streaks decides his last bet on life in the New World. But, instead, he finds on arrival himself surrounded by the grim-faced henchmen of law with the gray eyes scanning the debonair foreigner’s appearance, measuring his moral value, judging his life at face value. The compass of Goddess Fortuna’s Wheel indicates the downfall of Oscar Slater in the direction of HM Prison Peterhead in Scotland. But, even though fortune’s malice has thrown Slater overboard, it certainly has not deprived him of a lifeboat in the person of Sir Arthur Conan Doyle.
The case of Oscar Slater is often dubbed a sensational Edwardian murder mystery characterized by a scandalous wrongful conviction by the stupendousness of a miscarriage of justice in the history of any subject related from social justice to penal system, from police investigation procedures to forensic science. It follows from a death of a wealthy elderly woman brutally assaulted in her Glasgow home in 1908 when the Victorian prejudice against poor immigrants and foreigners, especially Jewish extraction, was PC all over on the isles. Slater being a secular German Jew with dark eyes and hair contrasted with the fairness of angelic British blonde, the blue-eyed ideal figure was the poster man of a criminal among the police and became their convenient suspect without due diligence and beyond a reasonable doubt. The Scottish police applied none of the evidentiary truth to the Slater case. On the contrary, they projected all of prejudice and complacency into the person of Slater, who was a sort of likable roguish streetwise swinger whose attractive suaveness and sleekness are reminded of Puck in a Midsummer Night’s Dream. But Arthur Conan Doyle s helped Slater set free after twenty years of hard labor at the prison for the crime he had not committed. Suppose a true writer sees the world’s corruption at its heart and stands furious with people instead of grandstanding with rants and slurs. In that case, Conan Doyle stands along with Voltaire, George Orwell, Ralph Waldo Emerson, and Henry Wadsworth Longfellow in the pantheon of the great writers who lived in the crowd of life.
Although Conan Doyle himself could not entirely be free from the conventional preconception about lower-class foreign immigrants and the jews, his integrity and charity exceeded the flaws. They changed the fate of the wrongly convicted man, which should be highly esteemed for universal recognition of all times. In the particular alchemy of literature as connecting the reader to the universal empathy, Doyle’s support of Slater’s innocence seems particularly conspicuous in the current humanitarian crisis in Afghanistan. The British general whose Toyota Jeep took up the already limited space could have held more Afghan evacuees in an airplane. Also, the former British Royal Marine chose to take 200 dogs and cats from the shelter with him over his Afghan workers and their families. But that’s not the end. The former Afghan employees of the British Embassy in Kabul are still clinging onto a thin ring of hope that their British ambassador boss for whom they had worked even during the Covid-19 pandemic scare would come to rescue. Would there be another Arthur Conan Doyle who would act on his principle of morality in the spirit of humanity who regard the lives of the oppressed Afghans as equally valuable as their own or similar kinds- that is, white and Christians?
My reference of Doyle’s involvement in the Slater case to current Afghanistan and refugee situations may seem a bit of a stretch with over-flowing maudlin sentimentalism. But I think Doyle’s determination to help Slater cause following the case of George Edalji, another miscarriage of justice based on racial discrimination, stems from his good natural good-heartedness aided by the brilliant mind searching for truth. It is a triumph of good over evil in the semblance of law and order. Unfortunately, I have a hard time finding a famous writer or poet who actively puts thinking into action, just as Doyle, Voltaire, Dickens, and Sand, whose brilliance of the minds resembled the magnificence of the Sun benefitting the life on earth. Where are such great writers now?
I have recently read an article about how the prosperous presence of wolves reduces the number of deer road-kills because their very predatory sense intimidates their prey, one of which is the deer. Fewer traffic collisions mean fewer government funds to spend on the aftermath of car and traffic accidents from animal crossings. So far, so good. But what about the resolution about protecting livestock from wolves, which has become an economic issue disturbing the farming community? So here are my small suggestions that I deem mutually benefitting people and wildlife by virtue of Charity, Faith, and Hope.
The article continues to support recolonization that the reduction of traffic collisions resulted in economic gains, which outweighed the costs of livestock losses by nearby cattle ranchers whose livelihood feels threatened by their lupine marauders. I remember reading newspaper articles and tweets about ranchers in Washington that the multiplication of wolf population engendered their livelihood and that clamoring for lupine rights outright disregarded human rights to make a living. When I commiserate with the woes of the ranchers at the same time, and also hope best for the great grey wolves, my mind’s eyes see the visceral images of the Maasai in Tanzania and African lions living in co-habitation. The Maasai find the most cost-effective and nature-friendly way of guarding their livestock against the lions by establishing chain-like fencing supported by the thorny African myrrh trees. I am sure the American contemporary can take cues from the Maasai and adapt them to their environment.
I like wolves for their commendable fidelity to spouses and respectful sense of a society that emits from their majestic composure. I also admire the fortitude of cattle ranchers who are vigilant of the livestock their families subsist. Both beasts and men have reasons to live for and kill for. Yet, there should/must be a way of satisfying the needs without losses. Indeed, the medieval Italians knew exactly about the problem, but no more understanding and effectively than St. Francis of Assisi in meeting with the Wolf of Gubbio. Francis admonished him for his terror of fear over the people and made a pact with him publicly at a popular marketplace that if he ceased his predations, people would feed him from their very doors. The Wolf put his paw in Francis’ hand as a gesture of agreement, a sort of beastly hand-shaking. Can I make a wish for the miracle once again in my time? I believe I can, if they or we want to, for sometimes we as part body and part spirit can do beautiful things together.
Sometimes we see ourselves in animals – here I mean the mammals, especially — and relate our mental images to them, whether they are pets living under the same roofs or wild ones in nature or zoos. That is why animals are apropos mediums to project our mirror images into their figures without exposing our naked selves outright. And that is what Denise Gwen does in her elegantly poignant collection of essays My Girl, Fiona.
Fiona is a hippopotamus the author adopted emotionally from her struggling birth into the world at Cincinnati Zoo. Abandoned by her enormous mother, the vulnerable yet adorable baby Fiona chimed the emotional bell of the author on the octaves of her family. Fiona, the name of Gaelic origin, provokes the image of a vivacious fairy whose feistiness and resilience elements make her all the more mysterious and, not to mention, beautiful. But the beauty is uncommon and only kind, which strikes Edgar Allan Poe’s wise dictum that “There is no exquisite beauty without strangeness in proportions.” Then the adorable hippo Fiona becomes a kaleidoscope of images of women, representing the Exquisite Beauty Tribe. It consists of her youngest sister, whose name is also Fiona, her feisty Welsh late mother, and herself in midlife crisis blotted with sentimental reminiscences. Added to this tribe is Shrek’s wife is Princess Fiona. Her transformation from conventional slender beauty to a green-colored ogre-like her beloved hubby is a guest of honor in the Fiona Parthenon. One way or another, they all share the beauty marks of uniqueness, confidence, and self-esteem as the author brings them into life in the alchemy of words, brewing the images into a fascinating pastiche of the Fair Fiona.
Animal stories charged with human emotions may well turn to the art of anthropomorphism in which animals speak like us with accents varied from Brooklyn to Los Angeles. But the author nuances the overtly human sentimentality in her narratives lest they should become schmaltz through Fiona, the lovely hippo. Also, the way she narrates with an elegantly apt choice of words and poignantly witty expressions is reminiscent of the British writing style I am familiar with. In fact, before finishing the book, I suspected her of being British for the reasons mentioned above. Consequently, I wasn’t miles away from the speculation because her mother was a proud Welsh who remained Welsh in her spirit and language during her lifetime. My Girl, Fiona is a thoughtful and heartful memoir disguised as short fiction apart from egotistical meanderings, which many celebrities nowadays indulge in stories that lack universal empathy. It is also a compact book you can read without leaps of attention and boredom in your spare time.
The Buddhas of Bamiyan Valleys before the destruction by the Taliban
One of the four reasons why George Orwell wrote was to record historical events in his time with a sense of writer’s responsibility to witness the moments for posterity. Imbued with the Orwellian spirit, but more egged on by the concern for the reign of terror, as a citizen of the world, I care to write about the current volatile situation in the Taliban regime of Afghanistan. Now I can see a danger of theocracy in which religion is a leviathan consistency master computer that controls people’s lives and psyches. Religion becomes an authoritarian Big Brother, the Demiurge that plays the absolute moral and ethical being in the mask of profoundly sacred deity leading to hatred of the physical world we live in. In this situation, the beauty of art intrinsic to our human essence is a decadent luxury, expendable to the bargain in the politics of heritage.
The fate of Buddha before the killing
The reinstatement of the Taliban government in present Afghanistan provokes the image of the great Buddha statues located in Bamyan, Afghanistan, until the Taliban obdurately and proudly destroyed in 2003 because the statues were idols opposite the teachings of Allah. The Taliban ignored pleas from the UN, including Islamic countries, that urged them to preserve the world’s treasure of civilization for humanity. The statues of Buddha represented Gandaha art, a wonderous syncretism of Hellenism of ancient Greek culture and Buddhism of Indus Valley civilization. It’s an exquisite synthesis of the West and the East, which tells us that people found a way to cross vast continents and seas and mingled to blossom into a new civilization even a millennium ago. Thanks to the one and only Macedonian Alexander the Great, emblematic of the wise and cultured political and military leader of all seasons, our human civilizations dispersed farther. They prospered further, as evidenced by the now begone great statues of Buddhas built by Bactrians, the descendants of soldiers in Alexander’s army who remained in modern-day Afghanistan by force and perforce and founded Hellenistic Bactria. By the way, there are still the descendants of the ancient Greek forefathers living in the area, even though their cultural expectation in the form of the statues of Buddhas have become mysterious wonders of the ancient world.
The artifact of humanity is gone
I am not condemning the religious whose faith is commensurate with their regard for others because a true believer of any faith is also a good person. The world’s representative religions do not promulgate violence and antagonism, at least not in their sacred texts per se. Still, misinterpretation or over-interpretation of the words have been the seeds of discord in history. I remember Mother Teresa of Calcutta once said that you don’t have to be a Christian to be a good person. If you are a Hindu, be a good Hindu, a Muslim, a good Muslim. I wish people of all faiths would take her words to heart. Then we could place the Republic of Heaven on earth.
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