Of all the quotations about learning from one’s experience, none is more tangibly perspicacious than one from the English Romantic poet John Keats (1795-1821), who sagaciously said, “Nothing ever becomes real until it is experienced.” How rightly so when it reflects a posteriori empirical truth. In fact, nowhere is this more evident than in the case of our health, which is subject to illness due to causes preternatural however trivial or diminutive they may be. For being the experience of a painful ordeal, I say that illness has inculcated in me a profound reverence to the disciples of Hippocrates and medical efficaciousness. I could not have been more appreciative of the remarkable medical progresses we often take for granted, one of which is the benevolent agency of antibiotic that has been saving lives of people from infections since its discovery by Dr. Alexander Fleming (1881-1955) in September 1928.
Dr. Fleming’s finding of Penicillin was something of serendipity or more likely divine providence. Dr. Fleming, an erstwhile captain in the Royal Army Medical Corps during World War I, began researching antibacterial substances at St. Mary’s Hospital in London after witnessing so many deaths of soldiers due to rampant pervasiveness of infections even though the wounds were not seriously intractable. Then one day in August 1928, Dr. Fleming left his bacteria cultures stacked up on a bench before embarking on his family holiday. On his return in September, he found a mould growing in one of his sample cultures, destroying the bacteria. What’s more, the mould produced a substance that destroyed the bacteria responsible for scarlet fever, diphtheria, pneumonia, and meningitis. Dr. Fleming first named it “mould juices” in 1940. Then in 1940, two medical researchers from University of Oxford named Ernst Boris Chain and Howard Florey succeeded in mass-producing penicillin. The concerted collaboration of the three trailblazers of the first modern antibiotic awarded them with the Nobel Prize in Physiology in 1945. Indeed, the laborers were worthy of the rewards.
The discovery and development of Penicillin is akin to Prometheus’s stealing of divine fire to mankind. By the end of 1940, more than 250,000 patients a month were treated with the antibiotic for a variety of infections that had meant a death sentence for thousand years, ranging from the time immemorial to the medieval when a scourge of the Black Death swept away thousands of lives to even the simple cases of abscess, especially prevalent in the 17th century London where more than 200 people died therefrom, and to the early 20th century case of Alexander of Greece who contracted sepsis from the bite wound by his pet monkey while trying to pacify a fight between his dog and the monkey and died shortly after from the infection. Furthermore, the use of antibiotic enabled doctors to perform more invasive –i.e., opening a surface of skin and infiltrating into the inner layer of skin with surgical tools – without having to worry about the high risk of infection.
To think that I could have been in the canon of the dead! Dr. Fleming’s breakthrough discovery of penicillin that has heralded all other subsequent medical and medicinal munificent largesses contributing to the human race imbues me with exultation at the blessing of having born in this post-penicillin era when I don’t have to have occasional bloodletting for frequent dizzy spells, to have my tooth crudely pulled out without Novocain by a barber, or to endure the gruesome pain of going through a surgery without anesthesia. On a very rare moment of personal note, I wonder if my existence in this era I am living is whether or not truly divine providence. If so, then let it be, and I am all the more certainly happy that I began to live once again in this post-antibiotic era.
Let’s go back to the time when the great American humorist and writer Mark Twain (1835-1910) regularly featured in the nationwide newspapers with his trademark scintillating remarks on just about any subject that piqued him; but none other than reading articles about his own deaths twice in the New York Times would have perturbed his otherwise usual sanguine nature. After the first ignominy, the writer told the Times that it was an exaggeration. But after the second occasion, when the Times suggested that he had been the victim of a yachting accident, he thought he had it enough for such media farce and remonstrated to the Times with a public complaint that he would make a thorough investigation of the fallacious report. To think that a respectful newspaper such as The New York Times published such fake news of the famous writer of the time twice is something of a bitter pill to swallow, but it also shows that reputation isn’t necessarily likened to integrity or even probity.
Anyone around Julie is flabbergasted by her sudden change of mood. None has seen her this lugubrious, saturnine, and crestfallen. This perturbs the heart of ever altruistic, magnanimous Sally, who is tending her aunt Mary’s Sweet Cart today and tomorrow during her brief jaunt to Lake Leda 10 miles away from Avonlea. Having known Julie for over ten years since she and her vagabond intellectual father Willie made their debut entrance to Avonlea. Although the father and the daughter have been living in a hut with limited bare necessities, they are rich in humanity, knowledge, and imagination. Knowing this eggs on Sally to ask Julie if all is okay with her and her father.”No, Sally. Actually, I am deeply worried about my father. Last Wednesday, he went to see his physician for his result of a blood test. And the doctor told my father that his kidneys were damaged and that he needed to take medications everyday for two months until the next appointment with the doctor. My father has been diagnosed with “Acute lobar nephronia”. That was why my father was often dizzy and stumbled on the ground as flat a pancake.”
Christian Dior, the father of modern women’s fashion, said of a perfume thus: “A woman’s perfume tells more about her than her handwriting. ” How rightly so. A scent is stronger than a sight because it not only creates a certain mystery of ambience but also unlocks a cascade of memory. Hence is my approbation of a certain perfume I have begun to like.
J. K. Rowling bewitches us again with her famed literary magic wand. Her fabulous creation of fantastic beasts, a young brilliant wizard, white witches with hearts of gold, an ominous black magician, and an amiable non-magician all coming vividly alive on the screen, will please your senses and touch your heart in no time with delightful feats of magic and boundless imaginativeness without interventions of boredom or cheesiness.
Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh 
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