Flame, Glass and Ink are Poems, essays, and reading notes by Stefania Joori Suh

Tag: literature

  • ‘The Library: A Catalogue of Wonders’, by Stuart Kells – review

    The Library: A Catalogue of WondersThe Library: A Catalogue of Wonders by Stuart Kells

    My rating: 5 of 5 stars

    Libraries are more than boring stockpiles of books gathered, nondescript depositories of books collected frequented by socially gawky individuals we love to call “nerds” or “misfits.” They are symbolic fortresses of our human cultural progresses as collective enterprises. In fact, libraries are precious repositories of our cultural wealth and knowledge inherited from the forerunners of the Humanities with prescient intentions to preserve the intellectual and spiritual prerogatives of the mankind for the posterity. Any book lover sees this magnificence of libraries, and that is the motif of Stuart Kells’s The Library: A Catalogue of Wonders, a vivacious, jocund presentation of histories and development of libraries and an uplifting rhapsody of bibliophile – love of books. What’s more, this book is not a product of armchair thesis of a library as an anthropological institution, but of an empirically telltale account of cultural, aesthetic, literary, and social phenomena dedicated to preserving the writings of Mankind based on Kells’s actual visitations to the libraries he presents to us.

    To begin with, Stuart Kells wears many hats in this book: a teacher, a guide, a book-collector, a historian, and a confirmed book-lover. But most of all, the image of him as I follow his narrative is that of a cross between a teacher and a tour guide with erudition and bonhomie. Like peripatetic Aristotle communicating to the minds of his students in the ancient Greek Lyseum, Kells invites the reader to saunter with him in his own mental library of snippets from a variety of literature and history that merit their substratum of textual human cultural artifacts bestriding the shelves of the Humanities ranging from the classical to the contemporary, all in the loving and caring custodianship of the author whose love of books is so deep and passionate that it’s almost physical. It’s personal, historical, academical, and magical in a way that imparts a sense of flitting in the phantasmal reverie of the world of libraries, now and then, existing and extinct, and  real and imaginary, to the reader.

    We travel along with Kells playing the role of a likable and knowledgeable cicerone from the Library of Alexandria to the Italian monastery of Bobbio in the Middle Ages that was said to house 666 manuscripts, Germany’s Wuttemberg State Library possessing a 17th century portrait of Vlad Dracul, aka Dracular, and the Abbey Library of Saint Gall, aka St. Gall’s Library, in Switzerland, which is now a UNESCO world cultural heritage site holding more than 400 manuscript volumes produced before the year 1000. And before we know it, Kells also brings us to the fantastic libraries of the famous Hobbits, also known as a race of bibliophile with personal libraries at home, however small the size might be, and the medieval monastery library in Umberto Eco’s The Name of the Rose, where lightheartedness of the atmosphere contributes to the joy of knowledge and the elevation of the mind and soul. Although Kells’s Australian identity tells of the superiority of J.R.R. Tolkien’s Mathom House, a wondrous library of literary paraphernalia, over the Italian Eco’s monastery library, it’s altogether a magical sightseeing of the mystical libraries conjured up before our eyes by the imaginativeness of Kells, and we can decide which of these fantastic libraries appeal to us.

    To conclude, the book is an axiomatic compendium of world’s famous libraries throughout the western civilizations, smartly studded with tidbit information on eccentric librarians, book-collectors/booksellers, and historical figures in between the chapters serving as a kind of delightful intermissions introducing a subject of each new chapter with provocative anecdotes and vignettes, which are pleasingly digressive rests from the tour of the libraries. It’s really a bright book, not a heavy-duty one with lots of footnotes and scholastic priggishness that the reader may expect a book of this subject matter to be. Notably, Kells’s interpretations drew on his impressively eclectic knowledge of these extensive sources as a respectful book-trade historian, but he wears his learning lightly and writes with a general reader in mind. And I believe that just as the famous English poet Samuel Taylor Coleridge often kissed the books of the Dutch philosopher Desiderius Spinoza, out of Kells’s passions for books and possession of the knowledge of multidisciplinary studies comes his love child in the form of this jolly, easy-to-read book.  In the end, the reader will come to love this book for simple, pure pleasure of reading and may kiss the book.

  • Fairy summoning in the Florentine Renaissance period

    41a59389f2e8e71b94e50f9d1ae7d39a--vintage-fairies-vintage-artwork
    A supernaturally pretty fairy deludes men’s hearts.

    There are magical elements in religion, and there are religious facets to the practice of magic, as succinctly summed up by Sir Walter Raleigh: “The art of magic is the art of worshiping God.” That’s how I feel and what I see during my Dutiful Sunday Morning Masses, the ancient rite of the Church, a perennial panoply of syncretism with its splendid paraphernalia of prayers and the liturgical ceremony of rites and mechanical recitation of prayers; it is the melding of religions or beliefs of the similar elements but of different origins. Hence, to come upon an article in the recent issue of BBC History Magazine about an academic study by a certain British scholar of the existence of fairies in the context of the validity of cultural and historical artifacts gave me an uncanny pleasure.

    Dr-Faustus
    The famous Dr. Faust, summoning Mephistopheles for his service

    In fact, Religion (that is, Christianity) and Magic (in the forms of divination and sorcery) are not to be seen as polar opposites and antithetical systems of belief because they are interdisciplinary agencies of attempting to seeking and offering a panacea to our dilemmas – physical, metaphysical – competing for supremacy in propitiation. Such mysteriously syncretic elements of the two different agencies of beliefs became the academic subjects of intellectuals, such as Francis Bacon and John Aubrey who accepted the potentialities of physiognomy as an infallible guide to predicting one’s character and argued for the validity of non-Christian practice based on certain intellectual bases therein. With this in mind, you would not be surprised to learn that fairy summoning rituals were all the rage in the Renaissance period (15th~17th centuries), indiscriminately practiced by all strata of society, learned or ignorant, rich or poor, Christian or pagan. The author of the article informed the reader that the early Renaissance idea of fairies was pretty nebulous and varied with a wide arc of wonder and trepidation and that the dainty image of ever famous “Tinker-bell” was a Victorian construction of the whole fairy race.

    Then, how did the “real” fairies look? Although there is no magisterial, definitive version of the physiognomy of a fairy, a collective description gleaned from various records boils down to it as a supernaturally attractive man/woman imperiling the souls of whoever it was summoned to, which is reminded of incubus/succubus, consecutively. Notwithstanding the dubious nature of fairies, the invocation of fairies halfway between angels and devils was widely used in hope to (1) acquire medical knowledge, such as whereabouts of herbs and their properties; (2) delight in the highest degree of sensual ecstasy; and (3) reveal the future and prevent from misfortune in advance. Be it as it may seem wholly pagan, the summoning ritual was surprisingly required for God’s intervention because it included periods of purification through abstinence, fasting, and prayer in preparation, all of which would testify to the sanctity of the performer ministering to the moral and ethical character. God willing, a fairy at request manifested to the summoner, but he should not come out of the circle he had drawn because it protected from sudden maleficence of the ambiguous fairy.

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    Delphic Sibyl from the Sistine Chapel fresco by Michelangelo

    In sum, the article was an elegant primer for a further interdisciplinary study of literature, religion, and folklore from the medieval times to the Reformation period and possible stretching to this date. The exemplary texts that spring to my mind are Religion and The Decline of Magic by Keith Thomas and Christopher Marlowe’s version of the legend of Dr. Faust, both of which are excellent testaments to the contextualization of the esoteric knowledge on the grounds of intellectual bases into academic studies of social, cultural, and historical facets of different zeitgeists, which also serve as invaluable literary artifacts to epochal changes. But for all that is worth, this relation between religion and magic is commensal, exhibiting a mesmerizing consilience of gods and God, profane and holy, pagan and ecclesiastical, forbidden, and disciplined, as superbly unfolded in the Sistine Chapel fresco, prodigiously expressed by Michelangelo.

     

    저장

  • Things can only get better

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    Getting ready for work

    Patricia has been recently working as a legal secretary at a personal injury law office in the city, the job she secured through her former boss Alfred Petersen, Esq., a high-profile defendant insurance lawyer at a powerhouse Gothic City law firm. Patricia, a principled, intelligent, and discreet character could have found a position commensurate with her ability and experience in the city had the hiring managers in the HR departments been understanding of a nine-month lapse after her resignation from the position of paralegal at a boutique real estate law firm in downtown last year. The reason for her leaving was that the field of law did not turn out to be her best match, pace her previously held naive anticipation that it would require of her less contentious meeting with demanding clients and less leg work that would push her to be out of the doors most of time. Besides, she did not get along with her boss, Susie K. whose whimsicality flitted though the ebbs and flows of her melancholia and in the weather of her sanity with all too frequent paroxysm of hysteria. Patricia wanted to keep her sanity and dignity rather than to succumb to the incivility of an irreparable solipsist. Hence the lapse in her work experience.

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    At home

    When Patricia needed a helping hand to secure her employment with a B.A. degree that would leave you either overqualified or under-qualified in this ever volatile job market and the inglorious gaping period in-between employment history, she could not help but think of Mr. Petersen who was a lot like the empathetic boss of Bartleby the Scrivener in Herman Melville’s eponymous short story : that intellectually brilliant, characteristically benign, and professionally equable epitome of a “good” boss. Likewise, when Mr. Petersen whose heavenly blend of moral character and intellectual gifts endeared him to many of his admirers got email from Patricia out of the blue, he was willing to cast her a life jacket on a perilous sea under the aegis of his perennial benign influence. Since Mr. Petersen knew that Patricia was a good person who had not only the intellect but also the heart, an angelic admixture of humanity, he phoned one of his best lawyer colleague in town and connected him to her by sending him her resume via email for review and consideration that did not de rigueur need afterthought; it was the job to be had for the asking.

    So far Patricia has been well adjusted to her work routine in the new office and the work style of her new boss who’s fair and magnanimous. She only secretly wishes that the current state of things will remain unperturbed because she feels that she’s worthy of such reward after what she went through while being the subject of the vertiginous treatment that knew no reason and stratagem at the expense of her wailing spirit smothering in the existential daily duties and responsibilities. Isn’t it a crime for anyone to yearn such a continuation of equilibrium?

    thanks-for-reading-Rok-Hardware

  • ‘Essays of E.B. White,’ by E.B. White – review

    Essays of E. B. WhiteEssays of E. B. White by E B White

    My rating: 5 of 5 stars

    The essay as a respectful literary genre has not yet established its firm meritorious footing in American intellectual society where the novel, poetry, and journals featuring de rigueur social/political issues with gravitas, surrealistic individualism, or puritanical heroism that has recently morphed into a rags-to-riches memoir are the only select legitimate royalties worth being decorated with a laurel. Perhaps it has something to do with the level of American intellectualism being at its still developing stage in consideration of its relatively “youthful” history. For what is worth, despite its general cold reception from the literary hierarchy, E.B. White is nonetheless a quintessential American English writer and a very fine essayist of the twentieth century in the English language into the bargain. In this collection of his essays published in various magazines over the years (from 1920s to 1970s), Whites recorded the overtones of humanity, democracy, and social concerns in ordinary things and experiences described in elegant and crisp prose style that resembles none other than his, thus making him one of the central figures in the canon of American literature without dispute.

    Being an essayist means something of a modern day literary troubadour, an independently-minded man with childlike streaks of artless interest in all things worldly and unworldly and innocent belief that everything he thinks about and everything that befalls him is of general interest. In a way, he’s a likable egoist with venturesome effrontery and verve to write a very egoistic essay on his whims and caprice. However, Whites gently rebukes us for our general perception of the essay as an expression of exalted rootlessness without self-discipline and an intellectual basis; rather, it is a panoply of sensibilities, senses, and intelligence, all broken loose from the hidden private closet of the essayist. For this reason of being egoistically concerned in a panorama of contemporary daily that many serious writers of the other literary genres tend to downplay, an essayist should accept his self-imposed role of small-fry writing gentry in the class of scribe, advised White with a kind of avuncular manner. However, it is this estate of an essayist Whites feels exhilarated about; it provides him with a valve of the emotional influx and outflow, so that he can wield his pen across a page in an expense of his curiosity, conviction, observation, and self-discipline, producing a dazzling delight of literary pleasure in its simplicity of language and subject.

    To illustrate, White’s subjects of his essays vary from his experience of moving from New York City to Maine as in “Goodbye to forty-eighth street,” to the humorous political essay of “Bedfellow,” featuring his canine family member Fred, and from his keen and humane observation of a circus girl rehearsing her show in “The Ring of Time” to his youthful poetic experience of working as a waiter on a ship to Alaska in “The Years of Wonder.”All of the aforesaid deal with a cast of everyday character and contemporary daily life written in simple but perspicacious words to contextualize the inner realm of White. There’s no priggishness or pomposity in his prose style, which I find very appealing and endearing. For someone who’s as erudite and intelligent as White, such simplicity of writing betokens that he wears his knowledge lightly with a general reader in mind. In fact, White thinks it his duty as a writing man to record all items as though he would be held personally responsible if it were to be omitted. This idea of a writer as general secretary of humanity parallels the reasons of writing as posited by George Orwell: It serves as a platform of expressing our sheer egotism, aesthetic pleasure, political evidence, or historical record. A priori, both of the great essayist of the English languages strike the mutual writing chords in their hearts.

    At the heart of the essays lies White’s love of the world where he collected the flotsams and jetsam of what our contemporary human life could bring to us, which were washed up by the waves of time and memories. This collection of essay by White, I think, bestows in spades its sovereign royal heritage of its own on the American essay that merits its own section in nonfiction aisles across the country. That is, in a wide stretch of literary imaginations imbued with historical evidence, the book has made itself the founder of new royal blood in a way that reminds me of William the Conqueror’s  becoming the first Norman king of England by establishing a new royal bloodline in 1066. With a variety of topics, and the practicality of language, this book is a gem that holds the reader’s attention throughout the pages including the unforgettable cover featuring Fred and the author himself, which so fittingly and wittingly demonstrates the Element and Style of Essays of E.B. White. It’s a lovely read that warms your heart and piques your curiosity of the inner world of the writer whose thoughts and feelings chime the bells of ours own in one way or another because White is ageless in his writing and his writing timeless in his essays.

  • The Sun Also Rises – short story/novella

    IMG_3826“Hello, this is Sally Lamb of 62 Errant Terrace, Apt 1C, Ritterford. May I speak to someone in the accounting department?” Sally really did not want to call her apartment management company. She would avoid calling them at any cost because it was operated by the descendants of Scrooge; or so they seemed. Despite the fact that Sally had been a conscientious tenant who paid her monthly rent fees on time, the company never responded to her requests for any repair of out-of-order fixtures through no fault of her own. Their response was always uniformly scripted as thus: “Put it in writing.”  She had acceded to the blimpish command  as dutiful tenant to landlord, but she then gave up pleading for any mercy with the shylock company. You see, it took Sally’s guts to call the management and asked for the particularly supercilious woman dealing with her apartment matters.

    IMG_3790“Yes, what is the matter?” the usual callousness of the woman on the other line punctured her heart, but Sally tried to muster what vestige of courage left in her spirit. She was Lamb to the slaughter. “Yes, I just would like to know when you can pay me back for the overpayment of my apartment rent fees? Can I get it next week?” Upon decanting what had troubled her spirit and soul for long, Sally was still unsure if she had done the right thing because she had a premonition that the request would be thwarted. “No, it will not happen soon. You have to wait at least for 30 days to get your money back. It’s our company policy!” Then came silence on the other line. The minion of Scrooge hung up on Sally after shooting off her mouth. This made Sally godforsaken and dumbfounded. How could anyone possibly do such an inhumane thing? Sally wondered if that woman would still attend Sunday morning Mass tomorrow and receive the Communion for the sake of her family and her shamelessly haughty self.

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    Sally became distraught, but her spirit resisted being downtrodden. Fretting over tomorrow and languishing over what happened will do nothing good for me. Come on, Sally. you know it better than anyone. Cheer up! Emboldened by her ever resilient spirit, Sally got herself together and changed her cloth to get out of her delipidated apartment and headed for Snoopy’s on Main Street to get fresh coffee and a cake. When Sally got there, Ms. Long, the spinster owner of the coffee shop, greeted Sally in a way a loving grandmother would do when seeing  her dear granddaughter. Ah, that touch of love and kindness touched Sally’s heart. Sally wondered what if she would have only heart not intelligence like a kind of sweet imbecile; would the condition enable her to deal with strains of daily life easily, since the brain would not command “pain” to the neurons in the senses? ‘Oh, just forget about all the worries for now, and let me enjoy this moment of comfort and warmness. For didn’t Jesus say “Do not worry about tomorrow because tomorrow will worry about itself, and each day has enough trouble of its own”?  Well, I have experienced a day’s woe and endured it, so no more anxiety is granted. It’s all in the past now. ‘ Thereafter, Sally began to read a new issue of this week’s The Spectator.

    thanks-for-reading-Rok-Hardware

     

  • Villain got heart too: review of Oliver Twist (1985 BBC TV adaptation)

    1330854631What distinguishes Charles Dickens from his contemporary writers is his belief in redemption, forgiveness, and benevolence of a human spirit triumphing over poverty, guilt, and death, the three cardinal ordeals of existential phenomena. For almost every character in his oeuvres, including villains, heroes/heroines, and even minor characters, has some shred of redeemable traits, if not goodness in the case of swindlers, pickpockets, or murderers. The question of morality in the Dickensian world is never proprietarily imposed upon the reader, and thereby leaves out harsh puritanical judgment of a character because humans are more sinned against than sinning. That’s the beauty of Dickensian reality set in the background of the stuffy Victorian reality. That’s why I can’t hate any of his characters, such as Bill Sikes, The Artful Dodger, and even Fagin from Oliver Twist in the parade of humanity.

    The TV adaptation of the novel by BBC (1985) is truthful to the original context, capturing every moment of emotions and feelings as finely portrayed by a skillful cast of the characters. The story of an impoverished orphan child whose resilience and innocence got him through misadventures and ultimately rewarded him with a bounty of loving family and well-deserved munificent largess may look to be a typical rags-to-riches fable. But such a presumptuously precarious judgment of the story will deprive the reader of the beauty of Dickensian characters as aforementioned.

    Take Bill Sikes, a tall and lean professional burglar whose callous treatments of Nancy, his live-in girlfriend also a pickpocket, and his loyal mutt Bull’s eye are downright contemptible. It goes without saying that this Bill Sikes character is in no way likable or pitiable. Yet, such egregiousness that only invokes contempt is what makes Sykes a fortiori pathetic. After he killed his beautiful-hearted Nancy in a paroxysm of rage, Sikes shed a cascade of tears that looked to me more of guilt and regret than of any other reason I could think of. As a matter of fact, watching the Sikes character shedding tears perturbed my heart because I could glimpse at his heart hardened by his life of poverty that had led him to the life of crime.

    What about Fagin, a boss of juvenile pickpockets, who is driven half mad at the thought of his being hanged at Newgate? Maybe it’s because his character was visually manifested on screen, but he also won my sympathy over such madness, which made me wonder if his insurmountable surge of remorse for his crime made him mad. Also, the artful Dodger, the most skillful pickpocket of the gang captured and tried at the court, was the figure of pathos. Would he have fallen into the world of crime had he been born into a well-to-do family? Or if a divisory lot – that is, a play of chance given by goddess Fortuna – had been favorable to him, would he have found himself in where he was?

    Call it childlike credulousness or a feminine streak of maudlinness, but I don’t want to make draconian measures against these antagonistic characters by putting them into a Procrustean bed of morality one by one. For it is necessary without a gesture of condescension or insolent attitude masked in charity to get into the inside world of the characters to understand what made them choose the life they lived in the face of poverty, hopelessness, and loneliness. I cannot help thinking that a game of chance each of them tried to get was against him and scoffed at his attempt to make it right in his life. In that regard, this is the question that Dickens asks to us: what would you do if you would put yourself in their shoes?  Dickens tacitly implies that only the goodness of our heart that comes from our empathy can save the world. Come to think of it, it is no wonder why Catholics and Marxists alike wanted to claim Dickens to be one of their own in his era. For these reasons, his novels should not be confined in a genre of Victorian literature because the subjects are timeless, and the characters appealing with universal traits of humanity that know no cultural, linguistic, and social barriers.

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