Tag: literature

  • New Order, New Oat Milk Drink

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    Once upon a time, there was a natural beverage called Milk from a cow out of which people made a variety of victuals to live and enjoy. Then when the age of reason hit the zenith of ethical paeans and scientific progress, people engineered offspring of Milk to their likings and called them low-fat, 2% reduced-fat, fat-free, or even lactose-free. And that’s not the end of hubris. It bellows to encourage people to try extremes like that of Dr. Frankenstein. The results are almond milk, soy milk, and now oat milk, which Starbucks has recently added to its beverage menu.

    It appears that Starbucks has finally nodded to the growing demand for vegan alternatives to dairy products, attracting more upscale, environmental and health-conscious clientele supporting Greta Thunberg’s noble environmental activism. Thanks to globally strategic campaigns about the alleged maleficent effects of cow milk on the grounds of health, environmental, and ethical issues, drinking cow milk has become something diabolical. Subsequently, dairy sales and related industries have drastically fallen and continued, causing many companies to file bankruptcy and even more people to lose their jobs. I wonder if these so-called upscale people have even worked at ordinary jobs and understand the dreadful consequences of unemployment, prior to pontificating about their virtue-extolling manifestoes.

    I am unsure of whether Starbucks will hit a bonanza by selling the new vegan addition to its menu due to the facts that (1) only 13 locations in the U.S. Mid West and a few selected locations in the U.S. will sell the oat milk drink; and that (2) there are still many people who are not ardently militant against cow milk when it pairs deliciously well in their favorite cold drinks. For me, I may try the new oat milk drink if it becomes available in my location out of curiosity, doubled with a writerly responsibility to see if it’s really worth the replacement and the propaganda for me to jump into the bandwagon.

  • the future of public libraries

    The Great Library of Alexandria in Alexandria, Egypt might have been destroyed eons ago, but public libraries in every continent across the seven seas are going strong both as municipal assets and cultural repositories. Libraries are no longer elite academic institutes for the esoteric religious and the moneyed echelons of society whetting their intellectual vanity and superiority. The democratization of libraries as a public institution of shared and exchanged knowledge has made it possible for every class to access the symbolic fortresses of universe knowledge.

    According to Stuart Kells, author of The Library: A Catalogue of Wonders and Shakespeare’s Library, libraries are “civic infrastructure,” which functions as pathways to literacy and social engagement where an exchange of information and propagation of knowledge occur voluntarily. In fact, a library is something of a public educational enterprise without expensive tuition, which provides various kinds of educational programs for all ages and all classes and of administrative services (e.g., passport service). That is why a government should fund its public libraries to encourage and fortify communal integrations and progresses instead of grandstanding on its discordant political vitriols to manipulate the number of constituents.

    People might deem the future of public libraries to be rather bleak because of the advent of electronic books and online libraries. Yet, as time has been changed, so have libraries with modern resources, catering to the needs and interests of today’s library users. Public libraries have become democratic forums of learning and exchanging knowledge and information. They are vibrant cultural atriums in which the abstract and the physical become wondrously and liberally consummated. For this reason, I think that the future of public libraries is reasonably auspicious.

    Author’s Note: This is my thought on a new radio interview with Stuart Kells on the future of public libraries. The subject is universal beyond Australia. Readers are encouraged to listen to the interview and to visit their local libraries.

  • the pathfinders – music video

    Nature is an art

    All things show it;

    I heard it once, 

    And now I know it. 

    Author’s Note: At Vista Point of San Marcos Pass over Santa Ynez Valley, Santa Barbara, CA

  • Fantastic Beast and where to find it

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    This is how a Kumiho appeared before the eyes of an enchanted man

    I came across the article “Fantastic (Medieval) Beasts” from my subscribed magazine the other day on the train with delight and want to introduce readers another phantasmal beast from Korea called “Kumiho,” meaning a “nine-tailed fox” living in the heart of mountains.

    The Kumiho conveys syncretism of totemism and shamanism in which the characteristics of humanity (Intelligence, Beauty, Ambition, Greed, Love) are fantastically intertwined with spiritual beings of natural creatures. Originally born of the spirit of a dead fox, the snow-white, gray-eyed Kumiho with the voice of a baby lives up to a thousand years with a blue magic marble possessing the knowledge of all things in the world.

    The Kumiho is also an excellent shapeshifter, often in the figure of a beautiful young maiden to lure a man for marriage, so that it can fully become a human on the 100th day of the marriage. However, if any mortal sees it devouring the livers of livestock or corpses at night before the 100th day, the Kumiho can neither become a human nor will ascend to the celestial kingdom of eternal bliss, but will live another thousand years on earth until it achieves the intention. In fact, there have been accounts that several hikers have sighted the Kumiho deep in the mountains of South Korea…

     

  • The new host of time

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    courtesy of google.com

    A new sun and a new moon visit on Wednesday

    Of a new leap year with another day in February

    Of the 2020th year of A.D in the Gregorian diary,

    Marking Chapter 20 of the 3rd-millennium page,

    Opening the 1st door of the second decade,

    And chiming 20 bells of the 21st century.

  • ‘The Real Guy Fawkes’, by Nick Holland – review

    The Real Guy FawkesThe Real Guy Fawkes by Nick Holland

    My rating: 5 of 5 stars

    It was a fateful day for a man, it was a fortuitous day for a crown. A man of imposing physique with a more imposing spiritual credo stood there speechless in the cellar of the House of Lords stocked with barrels of gunpowder that could blow up the parliament to the detritus of the past sovereign supremacy. The captors were in awe of the man’s imperturbability amid the silent trepidation of the weight of aborted stratagem. He was no less than a person than Guido “Guy” Fawkes himself, one of the eight Gunpowder conspirators, the man whose effigies are ceremoniously mocked and burned on 5th of every November throughout England as his eternal Promethean punishment for defiant treason since 1605.

    Nick Holland’s The Real Guy Fawkes tells it all about who this unfortunate but formidable man of unshakable faith in his realistic discourse of the accused based on historical evidence gleaned from his exhaustive research superbly blended with his vivid storytelling narrative skills that resurrect the atmosphere and ethos of the era contributing to the making of Guy Fawkes. We see young Protestant Guy with a great linguistic talent, good looks, and full of life, playing a Nine Men’s Morris with his friends. We witness Guy’s conversion to Catholicism, his stint as a valorous soldier in the Spanish Army in Flanders, his involvement in the Gunpowder Plot as the right-hand man of Robert Catesby, the charismatic leader who wanted to bring his beloved England to the One, Holy, Apostolic Church, and his last moment on the scaffold. He was a passionate man of faith who keeps his words by actions, and the image of Guy Fawkes overlaps with that of Father Mendoza in the film “The Mission”, who tried to revolt against the tyrannical oppression of despotism suppressing a freedom of wills and faith incompatible with its claim of totalitarian supremacy over individualism.

    Holland’s role of compassionate and open-minded narrator helps the reader to understand what motivated Guy Fawkes to involve in such an epochal plot and who the person of Guy Fawkes was. The infamy that chained Guy Fawkes in the unbroken shackles in the darkest dungeon of history becomes justifiably lessen, and the eternal mockery of his likeness becomes faded off as a collective echo of demotic populism orchestrated by the powers-that-be with systematic religious prejudice. Personally, I feel that the celebration of Guy Fawkes Day is akin to the eternal punishment of Prometheus, which should be lifted in order that his soul can rest in peace. If you feel the way I do, or if you understand what it meant to be a Catholic in the Reformation era and before the Second Vatican Council, then you will probably agree with me.